[+/-] this blog now temporarily closed
because i am importing rss into flash
and its an alpha aggregator that probably won't get updated
it has a limit to number of entries

future musings will go into other tangents area


[+/-] Dr. Philippe Pasquier --siat presentation nov.15
Dr. Philippe Pasquier is one of the short listed candidates for the Performance and Technology – faculty position with the School of Interactive Arts and Technology. He will be giving a presentation on Wednesday, November 15, 2006. Please join us.

Presentation: 9:30 - 10:15 am
Q & A Session: 10:15 - 10:30 am

Room: SC 3595

Title: Contemporary creation and technoscience: technophobia versus technophilia.

Abstract: In all classical creative practices, the creator of the work and the creator of the tools used to create the work remain distinct. There is the instrument maker and the musician, the camera manufacturer and the photographer, the software developer and its user, etc. Digital tools allow artist-programmers to design and build software tools that fit their continually redefined needs. This is the return of the artist-technician, artist-engineer, artist-scientist. With artificial intelligence based art (AI-art) or artificial life based art (a-life art), the idea that the creation of the computer tool takes precedence over its utilization is born. The creators become metacreators, i.e. the designers of generative, pro-active and autonomous computer tools endowed with creative behaviour. Artificial Intelligence and Artificial Life allow designing tools that don’t need any user.

This talk will discuss and exemplify the transformations of the relations between artistic creation and its tools through the presentation of a few software and hardware systems developed by the speaker. This will be a pretext to address the question of the links between contemporary technoscience and artistic creation. A variety of classical philosophical attitudes toward technoscience will then be browsed, ranging from the technophobic to the most technophilic.

Bio: After studying computer science, artificial intelligence and cognitive sciences in Europe, Philippe Pasquier completed a Ph.D. at the DAMAS (Dialogue, Agents and MultiAgent Systems) laboratory of Laval University in Quebec (Canada). Since 2005, he has been working on interaction and communication theories as a postdoctoral research fellow in the Department of Information Systems at the University of Melbourne (Australia).

Philippe Pasquier also maintains a practice as a multi-disciplinary artist interested in studying the links between Art, Science and Technology. During eight years of artistic practice, he has been acting as a performer, director, composer, producer and teacher in many different contexts. He is also serving as an active member and administrator of several artistic collectives (Robonom, Phylm), art centers (Avatar, Bus Gallery) and artistic organizations (P: research and creation in media art, Machines) in Europe, in Canada and in Australia. His work has been shown on three continents and funded and supported by more than 20 cultural institutions including the Canadian Art Council, the French Ministère de la Culture et de la Communication and the Australian Council for the Art.

Web site: http://www.damas.ift.ulaval.ca/~pasquier/

----------------------
what is relation between art (aesthetic and subjective) and science (objective)
--1. relation between artist and their tools
--2. audience and the creation

Traditional schema: engineer/technician -> tools -> work -> artist -> technician….
Modern schema: artist == technician , creating tools….
--is programming poetry? are programmers artists?

examples of tools created :
--“Z” (created with Pascal Balthazar)
--body contact sensors (Claude Gauvreau: ‘ray of glass needles’)

switch from creation to meta-creation:
what if tool does not need a user (the artist)?
--AI, Bio-art, genetic algorithms etc…

artificial musicians: artificial agents
--perception of world, pro-active behaviour….
--improvising automata, listening to and improvising with live human musician
--cellular automate…field of sound cells…

interested in Turing test for art?
--is it impossible to differentiate between human and computer art?
--preliminary discussions with audience suggest that in domain of improv electronica, yes

social issues with new tech
--gestural recognition of artist’s production is lost
--how to turn my grandma into VJ
---Machines-Motor::: 4 corners mixer of 4 av tracks

summary of modalities of artist-audience
--user: passive….interacts….influences/creates....technician....artist/engineer….meta-creation

critical view:
in both cases meta-creation and influences/creates
---artist disappears
---technoscience plays a dominant role

-----
technophilia vs technophobia

3 main positions : phobia, philia, indifference

--technophobia (Ellul, Heidegger)
----pessimistic view : death of art, aesthetization of technoscientific activities

--technophilia (Habermas, Frankfurt school)
---for Habermas universal rationalism is just an ideology promoted by a certain community
---humanist technophilia (Simondon): co-evolution of mankind and tech, reticular…problem is latency in speed of evolution of physiology
---post-modern position (Lyotard) : humans are mastering nature, autonomous subject is a product of modernity
---evolutionist technophilia (Engelhardt): transhumanist…

--indifferent

------
conclusion :
are we engaged in the triumph of creative will in the modernist project or is it the final stage of the rationalizaiton / instrumentalization of art practices ?

----
discussion (I apologize for the big gaps in this transcript…it does not accurately reflect the depth of the answers…I was listening and not typing occasionally….)
-----
ron wakkary: can you evidence how this phobia/philia is playing out?
PP: poetry using pen and paper receive less support…in art history, there was a metric to do analysis, in modern art, the breaking of rules…convenient that there is now tech that provides new schema for metrics….

thecla: relationship between passive perceiver to meta-creation, I was wonder about choice of word content? why do u differentiate content from process? content-creation seems to differentiate between process and creation….
PP: the meta-creation and content-creation side are separated on perpendicular axis….the distinction could be made that the process is built by audience, a relation between audience and artist…example, fight-bot, participants are mixing content….while in other cases like youtube, the content is created…
thecla: on that level, there is a hybridization or conflation…next question: turing test for art is an interesting thing to posit…it seems in a way provocative, a critical repositioning of audience toward technological development
PP: yes this is correct, this event which was broadcast on radio Canada came with a full introduction….certainly provocative…contextualized….

John Bowes: I’m interested in evolution as opposed to revolution, it would seem to be that turing test posits rules, music of course has many rules, music is also evolutionary like evolution of sonata into symphony, or on other hand, revolutionary, Schoenberg,….i wonder, in turing test, it would seem to me that audience’s background would be of considerable background…it would seem to me that a person schooled in harmony and counterpoint…what about this contextual varable?
[me thinking: audience’s contextual knowledge of software sources might be modern equivalent of counterpoint knowledge…]
PP: that’s very true, its not really a turing test, there is this system called natural language, for improvised music, there is not a system…another aspect, I was doing that avatar, who are committed to improvised music, but I believe, it is possible to do this in more systematic ways…for example in jazz, with Michael Snow we made cds with an algorithm, and it is difficult to differentiate the human from computer…the perception of language is not as proficient as listening to music…
Thecla: listening is not necessarily analytic…
PP: that is whole point of process…can listening be seen on multiple levels…
Rob: a related question…you can apply automatic meta-creation in many domains, are there particular features that make it more difficult or easier to apply?
PP: for real interaction of place, there must real perception, for example, the er of agents in audio can analyze the audio more accurately even if its aesthetic ….the reflexivity of human in front of new environment is surprisingly good, but ai agents, isplay lack of flexibility…
Josh T: I am curious about self-created systems and role of virtuosity? example: violin….self-created instrument might specific task, is there room for virtuosity?
PP: interesting question, I just don’t know,…there are several things, you have choice to apply something that already exists….another, under which conditions…it is a reasonable research question
DGr: elaborate on Simondon’s reticular
PP: technoscience has been growing since beginning of mankind, difference between science literature and art are being categorized as they are embedded
DGr: u spoke universal rationalism, do u think there could be universal irrationalism, how would it be embodied
PP: to define irrationalism, not rational, in that case, it would be had to talk in rational terms, to say this ….more generally if u r pointing at psychological there is certainly room for irrationality in every culture, so it is universal
Ross taylor: when u spoke of mp3 players and possibility for emergent dj, responsive environment, I was thinking about aesthetic experience which could be ecstatic, example: chemical brothers and rave culture…therefore, chemical brothers are artists, but its environment they are producing, on other hand what eno was doing, using systems…one is clearly, a soundscape, the other is an environment with an agenda, ..i am wondering to what degree this can produce ecstasy?
PP: example: air guitar, and voting provoke this form of competitive ecstasy,…so there is a sense of community, and creating people tend to win, have nicknames…elaborate aesthetic created…


[+/-] wikipedia asperger insight
in an email i was sending last nite
i made a mistake and didn't finish a sentence
i wrote: "its almost like andrew gol"
i meant to write
"its almost like andrew goldsworthy's work in some respects in that it converts a naturally occuring phenomena (the download rate) into an aesthetic impulse...."

so after i sent the email i noticed the typo
and thought that the recipients of the email would probably be a little perplexed
and they would google "andrew gol"
so i quickly went to wikipedia and created a page for andrew gol just as a joke....
in order to cover up my error

but the amazing thing is the editors of wikipedia deleted it after only a minute online, and left this residue...



so i decided to contest the deletion
since it offered this opportunity
if you left a message in the talk section
the decision could be contested.

so i wrote my little defence
and thought that i had stated a feasible argument
that at least would open a discussion
and potentially allow my page to survive....



returning five minutes later the enitre page was again deleted without a trace or a note concerning my attempted justification

nor did i receive any email notification even though i had ticked "watch this page"
nor did my members history have any record of me making the page
i only recovered the pages thru using my browser's back button....

intriguingly during that five minutes when my page was being so swiftly erased
i had been listening to an mp3 of an Asperger's syndrome individual
(Aspergers are high-functioning autistics with fastidious attention to detail, astonishing memories and often lower social emotional intelligence...it is probable that they are exceptionally well-equipped to deal with the cyber-info-avalanche of contemporary online culture)

so i suddenly had a vision of wikipedia as a vast network of asperger editors wiping out any idiosyncratic info
with the the same functional grace as applying antiseptic to a kitchen counter
eradicating play and nonsense in the pure pursuit of The Fact

and thus was born the idea in me to create an anti-wikipedia
which contains only nonsense
and nothing of importance
all reference to anything verifiable is wiped out by mercenary dadaist editors.....


[+/-] a simple mp3 poem experiment
what happens when you take 94 mp3s
and turn them into venetian blind mouse-paranoid floating play-pause switches?

today's experimental prototype, online: here

Thought de jour: while reading chpter 2 of Katherine Hayles, My mother was a Computer (2004) and waiting for a ferry, I was watching a couple lust each other in the seabus station; aware as that soon they will most probably retire to a private room in this rain-drenched city; there a small morsel of meat between his legs will distend and engorged with blood enter an engorged with blood orifice between her legs; they will thrust until the body answers itself.

For now, they talk, but their talk now is a foresight to the night's physical rhythms, a similar interchange of rhythmic thrusting is occuring semantically. Memories, laughters, intimacies, and insights flow between them.

The multiplicity of the relations that constitute their intimacy is analogous to a network; information is being fed and shared about protocols and data-structures necessary. Pleasure, pain, appropriate touch, cultural norms, social standards, are all conceivable as interlinked dynamic emergent modules.

Hayles is discussing Wolfram, Fredkin and Morowitz as theorists of what she refers to as the Regime of Computation: basically the idea that the universe is computationally tractable, a code. Wolfram the guru of automata, Fredkin expanding the dialog into social contexts and Morowitz suggesting that complex systems piggyback their emergent structures.

Surprisingly, Hayles (p.28) then cites Nicholas Gessler who has emphasized how representation is connected to ideas of dynamic hierarchical coupled emergence. In brief,its a common sense connection, organism's ingest representations of the complexity; sensory modalities mean that the same stuff is seen/felt/smelt in different ways. Richard Dawkins touches on similar notions when discussing bats in a Ted talk from July 2005 (Retrieved Nov 12/06 http://www.ted.com/tedtalks/tedtalksplayer.cfm?key=r_dawkins )

If representation is connected to emergent complexity what role does art have to play in the diffusion of information across the interface of evolution?


[+/-] string theory : regiment show
nov 3/06 mcclure gallery
co-created: regiment show, digital animation launched with sophie jodoin

and while
reading "Imagining the Tenth Dimension" by Rob Bryanton
which mentions Hugh Everrett III 1957 "many worlds theory"
it makes me think of tarkovsky's sacrifice --branching provoked by extreme wishes

and realize that the string that has led me here is a rich fertile vein

the digital animation created for Regiment is online:
http://www.year01.com/jhave/sophie/digital%20regiment/PHOTOS/regiment.swf


[+/-] habeas corpus corpses
habeas corpus Lat. "you have the body"
Imagine a planet. What would you think of a country which is:

"World's largest weapons manufacturer and seller."
"Jails more of its citizens per capita than any other."
"Occasionally stages coups of democratically elected governments."
"Preemptively attacks countries it considers threatening."
"Refuses to sign treaties for control of mines.”
“Refuses to sign treaties for control of fissionable weapons grade material.”
“Refuses to sign treaty for control of greenhouse gases.”
“Is the only country in the world to have dropped nuclear bombs on civilians.”
“Legally allows anyone deemed an enemy combatant to be jailed without charge and without rights indefinitely.” {Sept. 2006}

You guessed it.
The USA.

But the USA is not the problem. Nor is it her rulers or her people. The problem is us. Us humans. We’ve pillaged and exploited, ransacked and laid siege, enslaved and devastated for all of recorded time. Every race has, every people

The world population is rising. We get more aggressive as crowding occurs.

In parallel with kind compassionate caring beautiful instincts, the survival instinct rationalizes its ends: savage despotic hierarchical and relentless.

Tribe cluster mechanisms embedded deep in our metabolic structure. Conceptual skins with defensive capacities. Credit cards and copulation.

Autonomy is a vulnerable illusion. We are evolution’s puppets. All of our deepest instincts and most vaunted vanities are winds: winds full of the fine dust of chemical data that swirls thru our blood.

Controlling the controller.
Corporality and time.
Bodies within bodies within bodies.


[+/-] maia engeli's 40 minute rapid-tour of ars 2006
Paul DeMarinis
email output: chairs, jars with letters that exude bubbles, bowls
ephermeal notions of language
lost messages
instantaneous coding practises
emergent nodes that catch tiny portions

Reportage
Hauser, Bartl
robotic self-assembling chair....that falls apart and reassembles....
artificial self-healing chair

Eyebeam Graffiti Research Lab
LED Throwies
LED 2 batteries, magnet and tape....
--portable autonomy, comes with instructions,
particiapatory, temporary, demarcates,
usualy a small smart mob that gathers to make a message....
---in Linz, added more trams on each circuit…

Drawn Zachary Lieberman
--drawing becomes life of its own….
---drawing and then interact with it
---thru sound generated from lines….
--painted with real paint, converted to digital, overhead cam gesture-recogniton controls sound….

Ocular Witness Arijna Kajfes
--deals with light…..
link
change in sound, sends IR thru wheel and interrupted light generates sound….
--helmet, 2 leds, little camera, only feedback is how bright it is external to viewer

Outerspace Stubbe, Andre; Lerner, Mark
---out of order during festival…..

Khronos Alvaro Cassinelli
--elastic screen that manipulates waves of time
--tactile interface…

double helix swing, Ursula damm
--its about art being something that cannot be looked at out of context….
---cameras outside that looks at flies and mosquitoes…
---artificail representations of real insects, interact with them so that they mutate…

Office Life, Techart Group
--fish swimming around on keyboard, printer, barcode reader etc..

Sonic Bed, Annette Works
--tactile sonic bed…

The Road Movie, exonemo
--bus trip every 5 minutes they took 5 pictures
---put them online as pdf as origami

//////////////////////////////////////////////////////////////

Interface Culture Masters Program at Linz

Clothing that arranges the Body, Hannah Perner-Wilson
--magnetic clothes
Cows in the Field
--electric fence changes image
Not Mindless Transportation
--3 ways to analyze traffic, abstract silhouette of cars…

Knight of the Coconut, Taife Smetschka
--synchronize two films by two viewers synchronizing their clapping….

sCanned Objects, Irmgard Falkinger-Reiter
--scanned viewers pocket objects, printed out, then canned
--preserves memories
the enlightened collection
--noise level visibility

Scream Point,Sebastina Dietrich, Harald Moser
--only if you scream does image focus and picture is taken…

serial killer, timm-olivier wilks
--only piece at ars 2006 associated with computer games
--cam looks at exhibition space, touch screen allows people to be erased…

digital barrel organBernard pusch
--auto playlist management
---windup beatbox
--portable….

life(), mike satomi
--uses main square of linz and real people
--uses eye tracking to navigate 3d environment….

////////////////////////////////////////////////////////////////////////////////////////
Ars Electronica Centre

Morphovison, Toshio Iwai
---physical model of house spinning that creates illusion of morphing with strobe lights…

Thermoesthesia, Kumiko Kushiyama
--sound, heat, cold, light, touch

Kobito – Virtual Brownies , Takafumi Aoki
--little box that had some snes of force feedback

Move, A. Hieronymi
--floor chase

Smoke Tree, John gerrard,
virtual sculpture of tree emitting smoke….

Tmema The Manual Input Station, Golan Levin and Zachary Lieberman
--shadow sound instrument….


[+/-] new forms art-camp sept.21
Liane Davison
SAG curator

---demographic of Surrey 40% under age of 30
---contemporary 1975 to present
---focus on community
---collects digital media
---oct 1 next deadline
---artist-in-residence to support development, R&D residencies
----make work on site
----be public
----work within institution
---5,000 sq ft black box
---currently developing audio as means (ipod etc…)

Josh & Karen
LRIF

--- a jovial romp thru the ins and outs of no-budget diy filmmaking

Ben Bogart

---FLOSS Free Libre & Open Source Software
---free to run, study, copy, redistribute, improve, and release….
---why use it?
---community vs. market
---threats to FLOSS:
---license fees of “standards”
---software patents of functionality processes
--Pure-Data, Linux(ubuntu), Inkscape(vector), Cinelerra (video), Blender(3-D),GIMP(photoshop)
---Pixel Tango a set of high-level abstractions for pd and GEM


Jennifer Bailey & Shawn Bailey
BIOTEKNICA

---fictitious biotechnology engineering firm
---product line based on teratoma: dermatode cyst, a real for of cancer
---as cells divide they also self-differentiate, a natural instance of cloning
---declare teratoma as consumer product….
---teeth hair nervous systems….
(Hurlbut pro-life md is suggesting that teratomas grown for stem research….)
---freeze-dried meat sculptures at BEAP
---public autopsies
---residency at SYMBIOTICA art-science collaborative research lab
---working primarily with cell line P-19 (derived from mouse)
---nutrient solution contains blood serum from fetal calves
---requires ethical approval
---call their practice: “soft experimentation” in order to create communication across disciplines:”double agents” humanists entering lab….observing from outside the interior.
---tissue culture requires systematic sterility and nutrients
---teratoma cell line: multi-directional differentiation….body is so minute it has to be mediated thru microscope…at end of residency had to kill their cell lines….isopropyl alcohol injected into flasks with little tiny x’s drawn on flasks.

2006---primary cell line cultures, taking cells from recently deceased culture….
---other practice: genetic modification of e. coli
---3d body scan laser documentation
---teratological prototypes: 3d scan, scaffold,
---ISEA 2006 Zero One San Jose : built lab from $350 ebay items of used tech and a rental…fed cells every day….and place back in bioreactor….


[+/-] new forms artist talks notes...
http://www.newformsfestival.com/nff06/

The Call
• Isabelle Jenniches
webcam compositing, massive image made from thousands of still images...
"it grows as a blob, from some point of interest....it follows the curiosity trail...i think of Brueghel many people very small moving around on a plane...."

My Belly
• PIERRE-ANDRE SONOLET
---discusses his progressive disillusionment with work leading up to his installation on digestive system...bones inside the belly…the spoon exists before the fork which came much later in 16th century….

VERONIKA BOlKELMANN :: 2006 I DESERTIFICATION
…..inspiration of piece arrived with mushrooms that came from Chernobyl, even now you are not supposes to eat mushrooms in germany . The UN claimed the earth as 2006 as desertification….the idea is very simple, replace food or what you can eat with sand….wanted to emphasize the contemplative aspect….

Mimeticon (a Baroque search engine)
• RICHARD WRIGHT
comes out of an irritation he had with contemporary art’s mistrust of images and need for “…critical distance….it becomes difficult to construct processes of visual logic…and it ends in saying that writing is superior to picturing…”
carl andre: abstract art is all art without content, and conceptual is content without art
“….writing is already a form of picturing….mimeticon is both an artistic curiosity and a functioning search engine…searching by visual appearance….multi-resolution wavelet decomposition…starts to setup a new form of reading the images as algorithmic perception….”…”the origins of alphabet in the raven of terror in 1992…prayers written on cliffs for safe passage…evidence of an alphabet invented by semetic people….1900 b.c…..” http://en.wikipedia.org/wiki/Middle_Bronze_Age_alphabets ...Trajan

Lucid Touch
• LYNNE SANDERSON & Peter Sansom
Bioelectrical signals from human body controls av experience…piece will get hot cold and vibrate on certain experiences….heart rate temperature and sweatiness…3 layers of video: actions, place, and facial expressions….Max interprets autonomic data and sends to Isadora….17 different dream experiences….trigger mat on floor lets device know you are there….quantitative dream content analysis…

Concresence By Mark Cypher
• MARK CYPHER

Emotional Batteries
• Victoria Scott

BIOTEKNICA
• • SHAWN BAILEY
• Jennifer Willet

• OIL WHIRLPOOL (Kinetic Sculpture)
• DERK WOLMUTH

• Floating/Erasing
• Slobodanka Stupar


[+/-] homeland de(fence) echo ? terrorism redefined
"...many scientists voluntarily oriented their work to fit the regime's policies — as a way of getting money and of exploiting the new resources that Nazi policies made available through, for example, the invasion of other countries. Most researchers, it turns out, seem to have regarded the regime not as a threat, but as an opportunity for their research ambitions."
Uncomfortable truths. Editorial. Nature 434, 681(7 April 2005) | doi: 10.1038/434681a

The current proliferation of research funding related to homeland defense and other military projects have some unnervingly uneasy precedents. Money has an alluring similarity to gravity, it reduces all resistance.


I hereby propose a re-definition of terrorism which involves removing only one word (the second word) from the official dictionary definition: "unlawful"

Ter-ror-ism : The use or threatened use of force or violence by a person or an organized group against people or property with the intention of intimidating or coercing societies or governments, often for ideological or political reasons.

Under this definition, all weapons manufacturers, all combatants, and all research activities oriented toward discovering more efficient methods for warfare are terrorist activities, -- regardless of ideology or intention.

I harbour no hope that this definition will be widely adopted. Our metabolic predispositions seem to effectively deny the possibility; the evolutionary capacity for rationalized violence is well-distributed across species and forms.


[+/-] killing and imagination
Yesterday, I read a novel all day. In essence, I did nothing but read the novel. And as I finished it, and glanced up from its pages, my gaze met the world: dislocated, and in parallel the reality generated by the novel mingled uneasily with the external reality around me. It’s a sensation common I suspect to many who read obsessively. It’s a feeling of being dissociated from the physical foundations. Reverie induced by reading fiction seems capable of initiating alternative structures, mental models of time and space which exist in and of themselves, and struggle for survival, sloshed like waves against the immaculate force of external reality.

The novel was Gil Courtemanche’s A Sunday at the Pool in Kigali. Based around the genocides in Rwanda, it’s not a novel that inspires faith in humanity. Atavistic urges of killing seem to rise up out of populations as regularly as bad breath; as often as an adolescent gets severe pimples, or a patch of eczema arises under aging moustache, or the phone rings in a monastery, there is somewhere on this planet, a human killing another, or scheming to kill them, or wishing they could kill them. We have all in some ways felt the urge, it begins in the anger and rage and shock and runs crashing along its metabolic course toward external violence. Occasionally, amplified by external political divisions, it erupts from its domestic source into collective activity: killing performed as fastidiously as we might clean our nails.

At some level, I have no hope for humanity. We are immersed in a large scale structural system that effectively abnegates spiritual vanities; from the shark to the torpedo, organisms and devices are accurately attuned to the hunt, the target, the strike. It is in many ways, the earth’s most pervasive desire: survival (through eating or destruction of threat). What appalls hope is the how ubiquitous that structure is. Its not as if genocide is an anomaly at the human scale: Pol Pot’s Cambodia, the Belgian Congo, Nazism, Pinochet’s Chile, Armenia, Rwanda, Bosnia...The list simply represents the larger known struggles, it does not even begin to catalogue the endless smaller conflicts, the villages wiped out, the families exiled, the outsiders summarily executed.

Human society is a vicious event. After finishing the novel yesterday, I wandered off to the local farmer’s market. There amidst the barbequed sausages and signs celebrating veal raised on organic feed, the omnipresence of the human carnivore was clear. I assume that all of the market’s comfortable consumers striding through the soft summer air might respond with repugnance to the idea of a genocide of humans in Rwanda, but the genocide of animals for food, the antiseptic displays of butchered meat on sale, the blood hosed away down sewer grates and swabbed off the cutting boards, well that’s another matter. The human capacity to rationalize its eating is a helluva of thing.

Colin McGinn (professor, philosopher, and cogent critic of all things relativistic): “ ...in my opinion, .....our treatment of animals , in every department, is deeply and systematically immoral. Becoming a vegetarian is only the most minimal ethical response to the magnitude of the evil. What is needed is a complete revolution in the way we deal with other species.
(McGinn, C. Mind and Bodies, 1997, p:207. Oxf ord university Press...reprinted from a 1991 review of Peter Singer’s Animal Liberation)


[+/-] glue coast

~
At dusk, I went walking to a friend's. In an abandoned lot next to the rail yard, two teenage boys were playing with a large oil drum. The base of the drum was punctured, a thick paste had oozed out in a glistening lake that gleamed: cigarette butts and blades of crab grass were lacquered under this slowly expanding region of translucent glue.




These boys were playing with the unknown. By tomorrow, the residue will be sculptural, seeping into the earth.

We are breathing things: hollow interiorities constantly exchanging the outside for inside. Oxidative phosphorylation chains careen to make adenine triphosphates, obscuring the origins of sctivity: is it your muscle or your mind that decides? I am not naive enough to believe that a simple awareness of life in all things (panpsychism) will have any impact on the seeping tide of toxic coalesced propogandic hatred leaking from the abandoned barrels of patriotism.

Yet simple curiosity and play can suggest ways to evade the grip of ideological otherness. In the lingo of academia: innate alterity.



Regions of thought are equivalent to the oozing spill of thick liquids: sometimes nourishing, sometimes solidifying into ideologies. Questions become polymer resins that conceptually glue us like bugs to edge of the trash stained ground. Through the murky layer of its soft interiors, the torsion of leaves and embalmed twigs: huge idols, glistening truths, pockets of caged air.

Postscript: the contents of the glue coast were glucose.


[+/-] 2 new projects
2 new intentions today:

1.
collect as many of those nu-fanged spam-gifs that now arrive as attachments before some clever anti-spam gif-reading innovation meta-tag checking security-software kills off this particular precursor to the really virulent living strains of brain-bending advertisments that will be floating into the neural-shunt inbox.....
and exhibit them online in a context where the temporal continuity of their propogandic evolution mingles with a blurring that makes the ideological content of all percepts clear....

2.
goto park with my macroscope short focal length velcro-strapped to a metal-stick and use that as a brace to get my aging (but trusty) digital camera up against the lens and take portraits of strangers who are a half-mile away....pervasive ubiquitous surveillance is becoming normative...unless ancient paranoia reflexes are surrepticiously transcended the flourishing spook snooping spy-gear-in-the-sky will probably kill all of us...privacy is being redefined at interior frontiers where gangs and swarms of ganglions temporarily conceal affect from quantitative awareness...series will be available online thru vagus at sfu


[+/-] hedweb
"When does a mere processing-bias or a cognitive filter take on a hallucinatory aspect that entails certain possibilities are intellectually closed to the victim? Could one be living one's whole life in the grip of an affective psychosis that has infected one's belief and value system to the core?"

The Hedonistic Imperative : Chapter Five



[+/-] a head is a tail in the grey goo
Reading Joel Garreau, it is obvious that most of us are already or will swiftly be obsolete. Imagine that the predicted recursive doubling of artificial intelligence planet-wide will after our 2005 28th (?) iteration take some wild leaps forward. It is doubling. Each time it is bigger. It is leaping beyond us. It is a chain reaction fed by AI departments (MIT 2005: 600 grads in AI.) and research labs all swarming over the penultimate profit. Creatures curious and raw developing a massive field of perceptive capabilities: proto-awareness aggragates, actual occasions, monads, hylologists, sensory faculties which will in some season be integrated and begin to grow.


Such a field is the internet. Isn’t it a bit strange to be living inside sci-fi? Especially when tribal aggression and raw greed threaten to end the film in a set of arbitrary cataclysms. Isn’t it a bit weird to be living inside an arm’s race?


The field of futurology is flourishing. I think there will be a market for any maniac with a wild imagination for a while, because reality is exceeding all expectations. Garreau is a sober garrulous erudite and gifted guide to contemporary cybernetic culture intersecting with genetics life enhancement and robotic brain machine interfaces. The book opens with appeals to wonder and sentiment and segues into a long fascinating visit to DARPA.


One wonders if the evolution of life (for that is what emerging: proto networked awareness, not modularized or metabolically constrained, capable perhaps as some humans seem to be of tunneling telepathically, broadcasting, and coordinating activity. It is a single mind that is either (slowly or swiftly) going to evolve. Garreau calls it the Pynchonesque Curve. Makes me wonder what that still moment will be? The apex of balanced forces where all is zero, will we know when we are there? And what and where to will be the fall?


A dispersed malignant bio-bot programmed to annihilate certainty in a host population, to render them susceptible to propogandic appeals or media exposure which satisfy the bots who trigger correct reading of codes embedded into the signal with squirts of endorphins, tryptamine, dopeamine, enkaphalens. Little beauty bot mixing it up, playing lab rat tentacle octopus in the hosts brain, broadcasting rfid to homebase, keeping score of the conversion as a homeostatic of global awareness. This bot escapes proliferates and eats minds everywhere. I think this might be a z variant of the ‘grey goo’ theory that supervenes on some heavy lists devoted to discussing the future: 'grey goo' is futurologistic panpsychism.


[+/-] dont click it

very nice: http://www.dontclick.it/

touch tap revolution



[+/-] how aging becomes an issue for art: kurzweil gattaca spore

How?

From gattacca to kurzweil, existential pessimism to tech-utopia,
bio-tech mutation and gene-manipulation will reconfigure society

Spore gaming style evolutionary algorithms
Will enable engineering of bio-data event simulations

& if a nano-bug can manipulate genes then certainly bullets are soon to be obsolete
imagine an enemy whose insides become jello

jello-shit created by some pesky cellular automata that rides the respiratory track
thru the alveola into blood....
eats collagen, spits out mucous, and breeds

While Gattaca (Niccol,1997) reveals a world where class structured manipulation uses genomics to establish hierarchy; Kurzweil (Kurzzweil, Grossman, 2004, Fantastic Voyage) on the other hand is urging a proactive revolution in health practices: immortality, euphemistically packaged as “radical life extension”, is apparently possible if we are careful and wealthy enough for the supplements.

First step in both plots is: check your genes.

In 2017, after the operations which restore my body
to a 40 yr old level, my brain is injected with a living rejuvenatory efflorescent neural re-seeding. I begin to think accurately attuned to a threshold of vibrating awareness at speeds beyond imagining. I never doubt my memory anymore, I never fear for what to say: words are flourishing in me, as is art, music, love, sex, jokes. I am young again. I return to school, the pharmacologically-sculpted brain ripples and gleams with insights and algorithms. Life is lived in a furious storm of deadlines and pressures well-met. A form exploring the universe at optimum capability. I forget that I once was to die. I simply forget about death and embark upon life.

Meanwhile in gattaca-pessimism land, at the age of 50 I ingest a gulp of polluted tapwater which contains a myelin-corrosive suspension; my brain is intangibly altered. I can still think, but begin to lose my train of thought easily, my mind begins to wander; it floats incongruously away from rational purposes and directed goals, it floats indelicately over rooftops, spying on other minds. Pretty soon I am on disability pension. My certainty that I was telepathic only aided the cause.

So when the great eco-compounds are built in 2012, I see it on the internet but cannot afford to even visit them. My tainted blood is submitted every six months for analysis: my monthly salary is designed for poverty line sustenance. I smoke cigarettes and imagine what I might have been.

In 2017, when the rejuvenation line of total age-makeovers are released, I have begun to use an inhaler occasionally. Afternoons are wistful, I watch the dust clouds over the tv in the slice of hot sunlight. I like the way the soft contours of my neighbors’ sounds seem to blend together into a whole. I am watching my other self in the innumerable other selfs: my heart is for the most part a smile.

Or: an optimistic pessimist might point out that once we have the super-smart young brain again, even then the AI in machines will have rendered human inventivenss and creativity obsolete.

So aging becomes an issue for art.

and $...


just out of curiosity, i assume i have the Apo E4 genetic variation which is a marker risk for alzheimers
phosphatidylserine 100mg daily
phosphatidycholine 900mg twice a day
acetyl-L-carnitine 500 mg twice a day
vinpocetine 10mg a day
(recommend dose p.159, Kurzweil)

and here it priced : anti-senility wish-list

basically $100 every month if I throw in some selegine and melatonin.

hard-selling eternity: the youth-drugs website has a spontaneous chat salesperson that suddenly appears and takes their time to respond, i have time to get another bowl of dinner between replies; until i mention alzheimers, then its instan-pitch time! Anxiety must make for a very effective sales lubricant. Plus if the client is cognitively crippled a good salesman can wrestle any elder to the checkout.

Immortality is not affordable yet.
Stats: http://www.geohive.com


[+/-] research creation note 1
“How does research creation provoke not only new intersections with the scientific, but also with the philosophical?”[+]

At the juncture of AI, cognitive science, and metaphysics lies shamanism. The capacity for the thing to think itself, for the unthought to be thought. The texture of this is a domain that requires a pure yearning that in other eras would have been synonymous with art.


Often it is the outcasts: those individual anomalies, those particles at the fringes of the coherent fabric we refer to as culture. It is those innocent playful non-conforming ones who are paying the highest price for this illusionary opposition between science and art.

Fear: “As researchers artists are crippled. As artists researchers are killed.”

Hierarchical behaviorist values are contorted reflexes. Autonomy and trance induction lead the undulant thru soft fields of logic. Anomalies are considered to be abberrant or malignant: eccentricity is nourished up to a socially-accepted norm. Artists leverage that tolerance.; researchers rely on it. Social context decides if experiments fail.

Art and science are entwined ancient faiths experiencing their dichotomies as dogma when really these are only elasticity physics traversing diffused chains constructed by the unknown. The distinction between art and science is arbitrary. They are threads of mentation extruded from flesh, manifest traversing generations. As we have always known we are not ourselves.



[+/-] Consider
Consider:
Most criminologists would agree that the United States statistically demonstrates a strong racism in its incarceration rates.
As of “.....June 30, 2004: [incarceration rates]
  1. For White males ages 25-29: 1,666 per 100,000.

  2. For Latino males ages 25-29: 3,606 per 100,000.

  3. For Black males ages 25-29: 12,603 per 100,000. (That's 12.6% of Black men in their late 20s.)
Or ..[...]....
  1. South Africa under apartheid (1993), Black males: 851 per 100,000

  2. U.S. under George Bush (2004), Black males: 4,919 per 100,000
Statistics as of June 30, 2004 from Prison and Jail Inmates at Midyear 2004, Tables 14; except for the race rate statistics which are calculated from Table 13 and Census Bureau population estimates. South Africa figures from Marc Mauer, Americans Behind Bars: The International Use of Incarceration. All references to Blacks and Whites are for what the Bureau of Justice Statistics and U.S. Census refer to as "non-Hispanic Blacks" and "non-Hispanic Whites".)”  SOURCE:  [1]  
In Canada, it’s the native population who are disproportionately represented in jails.
My question is: what is the role of academia in supporting or endorsing uses of technology in circumstances that are sometimes in violation of basic human justice?
Or is the role of academia to remain ethically agnostic? I question strongly the sustainability of any world-vision that embraces revenge over forgiveness.Humanity will not survive the next century unless we encourage social modalities and collectively evolve away from our antagonistic instincts.
“Law enforcement” may seem like a benign ‘justice’ term, yet in the case of the United States, it conceals a demonstrably racist justice system which constructs and sells the most weapons on the planet while developing a widening disparity between rich and poor.
Suggested readings: “Crime control as industry.” Nils Christie

Context
At the SIAT colloquim March 22nd 2006, a principal developer of http://www.visiphor.com/ will speak. Visiphor markets face recognition database driven solutions specifically marketed toward police forces using the somewhat ironically named GJXDM Global Justice XML Data Model. I say ironically-named since this tool is not currently used to track every starving baby in Africa to make sure it receives enough food, but instead is used to track criminal suspects within justice systems that are demonstrably racist.

Respects to all equally,
Jhave2@gmail.com


[+/-] Awoke from a nasty dream of reality
Awoke from a nasty dream of someone being hit by a car, then the body was on the roof of that car, rolled off, and an approaching car swerved around the body but its front wheel bumped the head; the car kept driving on....I leapt in shock and stood in front of the crumpled body waving my arms at approaching cars....then in looking at dailyrotten news the 2nd item described a similar accident http://www.wpxi.com/news/5977733/detail.html

The existence of an apparent correlation between dream and reality does not prove anything, but to the pattern recognizing, symbol analyzing, meaning generating aspects of my neurons, it automatically creates a potential structure. The emotional trauma of the dream acts as a weighted bias to increase the correlations apparent importance. My brain boils, simmers, then calms....


[+/-] Dancing the Virtual, may 10-13, 2006, Montreal
”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””
DANCING THE VIRTUAL, Montreal, May 10-13, 2006 event.
Brian Massumi and Erin Manning from Sense Lab are coalescing 30 folks to discuss the inticacies of computation and corporality.

/////////////////////
Contribution:
I propose to create a web-based archive of the event that incorporates affective data. This may be done in tandem with Tagny Duff. Involve dislocations of body designed to modulate the emergence of thought.

Interim plan (open to fluid improvisation and suggestion) : Non-invasive biometric data will be collected from selected speakers/dancers. Skin temperature, GSR (galvanic skin resistance), and amount of motion (roughly estimated from frame analysis of video) will be collated to form a dynamic state-space. This data will be used as input to generatively draw landscapes over video transcripts which will be archived online.

Intent: provide a visual display of affective state of speech as it is spoken. Explore rudimentary correlations between intellect and autonomic system in experienced metaphysicians as they deliver thought which is conventionally considered to be abstract and rational.

Technology: www.arduino.ws open hardware initiative has a prototype bio-sensor board developed in conjunction with Ivrea that measures temperature and GSR from 2 participants simultaneously. Drawing would occur in Processing / Flash.

Theory: the body is a temporary modulation of matter whose opacity is generated by the limitations of our cognitive architecture. Modern instrumentation allows for increasingly rich glimpses into the multi-modal layering of affect which our nervous system automatically subconsciously senses.

*******************
What am i reading now?
Haag, A., Goronzy, S., Schaich, P., & Williams, J. E. -. (2004). Emotion recognition using bio-sensors: First steps towards an automatic system
Lewis, M. D., & Granic, I. (2000). Emotion, development, and self-organization : Dynamic systems approaches to emotional development. Cambridge, U.K. ; New York: Cambridge University Press.
Massumi, B. (2002). Parables for the virtual : Movement, affect, sensation. Durham, NC: Duke University Press.
Panksepp, J. (1998). Affective neuroscience : The foundations of human and animal emotions. New York: Oxford University Press.
Trappl, R., Petta, P., & Payr, S. (2002). Emotions in humans and artifacts. Cambridge, Mass.: MIT Press.

*******************

David ‘Jhave’ Johnston
Jhave2 at gmail.com


[+/-] Phenomenology affect madness and poetry

//********//

SOURCE: http://cognitio.uqam.ca/2004/flanders.pdf Retrieved 11:52pm, Sunday, November 20, 2005.

“… the most significant influence on the neuroscience of emotion was that of existential and phenomenological philosophy (Freeman, 2000). Thinkers such as
Husserl, Heidegger, Sartre, and Merleau-Ponty argued that the world of the individual
conscious human is most accurately construed as a subjective realm, actively
constructed, rather than an objective space, passively perceived.”

“…….. definition comes from Lewis & Granic (1999). They
incorporate a variety of theoretical perspectives in psychology:

We define an emotion as a global, non-reducible affective state that is nonspecific
as to semantic content (Izard, 1984)…elicited by a specific class of
situations related to the organism’s goals (Oatley and Johnson-Laird, 1987),
and that motivates behavioural responses to these situations (Frijda, 1986).
All of these features imply an adaptive biological function, and emotions are
therefore considered to be phylogenetically specified and unlearned. (pp.
689)”


Cited:

Freeman, W. (2000). Emotion is essential to all intentional behaviours. In M. D. Lewis
& I. Granic (Eds.) Emotion, Development, and Self-Organization, New York: Cambridge
University Press, pp. 209-235.

Heidegger, M. (1927/1975). The Basic Problems of Phenomenology. A. Hofstadter
(Tans.). Indianapolis: Indiana University Press.

Lewis, M. D. & Granic, I. (1999). Self-organization of cognition-emotion interactions.
In T. Dalgleish & M. Power (Eds.) Handbook of Cognition and Emotion. Chichester:
Wiley, pp. 683-701.

Lewis, M. D. (2000). Emotional self-organization at three time scales. In M. D. Lewis &
I. Granic (Eds.) Emotion, Development, and Self-Organization, New York: Cambridge
University Press, pp. 37-69.

Oatley, K. & Johnson-Laird, P. N. (1987). Towards a cognitive theory of emotions.
Cognition and Emotion, 1, 29-50.



//**********//


Many folks have argued for the inclusion of affect in design. Their reasons are diverse: activity theory (Aboulafia A.; Bannon L.J, 2004), basic beauty (Norman, 2002)


Cited:
Norman, D. 2002. Emotion & design: attractive things work better. interactions 9, 4 (Jul. 2002), 36-42. DOI= http://doi.acm.org/10.1145/543434.543435


/////
http://www.cognitivesciencesociety.org/confproc/gmu02/final_ind_files/tokosumi.pdf

////


"If we could record a larger population of neurons simultaneously," Poggio says, "we might find even more robust codes hidden in the neural patterns and extract even fuller information." http://web.mit.edu/mcgovern/

“Poetry is close to madness” Coleman Barks.

And as he reads, I see Rumi laughing and saying :”Like this!” His body contorted like a sythe on fire, etching the wind with an extraordinary love, gentle as a child waking after sleep for the first time, the taste of milk on its lips, everything we have ever killed growing inside us. Rumi the dancing fool, the mad master, the mystic zenith, the robe, the formless wanderer, soft as longing, complete resilient. I was there too.

“I don’t know if you can say it. It’s like asking what is love?” sez Barks (Grubin,2003)

“Your pure sadness that needs help
is the sacred cup”

Rumi makes me think of the monkeys in the labs with their open brains revealing the neuronal signals as they mutate across synapses back and forth between the eyes and inferotemporal. Perhaps my eyes deceive me but I hesitate to attribute to a scatter plot of captured traces retrieved from the brain of a startled alienated animal can be anything other than a splatter of water against a cliff of ignorance.

Each body to this breath bows.
To this dark hidden monkey in us.
Mirror neuron.
I am here to speak of love.
It is a strange thing to say since I don’t well know how to love.
But that is why I am here.
//


[+/-] Unintelligent Design
@!

Un-intelligent Design: the Etiology of Ethics in an Age of Unrecognized Viscera

Confabulation is a well-documented feature of human cognition: what we don’t know we invent. (Johnson,Marcia K.; Raye,Carol L., 1998; …) I suspect that religion, mythology, dreams, poetry, and all forms of symbolic shuffling are confabulatory. The recent rise of ‘intelligent design’ seems to be a particularly pernicious example of mass delusion. Considering that millenniums of slaughter, poverty, disasters and desperate malignant diseases are part of the proof of an omniscient creator’s intelligence, I wonder what rational argument we might evolve for un-intelligence.

Jay Schulkin, in Bodily Sensibility: Intelligent Action, develops a strong sustained case citing numerous examples of contemporary cognitive research for an end to the separation of emotion from cognition. In lineage with James, Lakoff, Damasio and Panksepp, Schulkin argues that emotion is an aspect of embodied reasoning that arises from neuronal structures and therefore is cognition. On this foundation, Schulkin also contends that aesthetics is informational processing (2004, p. 64-5) and that intuition is cognition:”….I do not believe there evolved a special moral neural system, what did evolve were diverse problem-solving mechanisms that were recruited for moral judgement.” (Schulkin, 2004, p.80).


[+/-] Arduino Workshop -- Nov 2005 -- David Cuartielles
//////////////////////////////
Nov 14-18th workshop at SIAT organized by Jim Budd

Instructor::
David Cuartielles
(Malmo)

creator of Arduino Open Hardware Board

www.arduino.ws
IDE based on processing

Day 1 : constructing the board
------------------------------------

soldering
breadboard
serial inputs and outputs
--pin 13 and grnd have an inbuilt resistor

active low push button, tilt sensor
--computer to board

-----serialRead()
-------- returns -1 if nothing is returned or an ascii as 0-255 value
-------- 2 nibbles == byte ( xxxx | xxxx )

ADC convertor on board has resolution of 10 bits....
so how do u send 1024 number?
it would appear that constraint of 255 would limit this....
Instead send "1","0","2","4" character by character.
---set of inbuilt functions printByte(_), printString("_"),
printInteger(_)

------------------------------------------------------------------------------------
Day 2 : switches..........potentiometer and photovoltaic
-----------------------------------
serial tr board to computer

POTENTIOMETER

switch........

digital Switch 1==0 Volts, 0==5 volts
vs
analog switch:
resistive -- resistance varies with some physical parameters

problem: circuit can only read voltage...
therefore we need a circuit to transform resistance into voltages...

Potentiometer is an Analog sensor that looks like a rotating knob
semi-circular resistor

circuit: 5v --- 1K resistor (R1) --- 10K potentiometer (R2) -- grnd
|
analog input from board

code : analogRead( pinNumber ) returns a value between 0 - 1024
(because microprocessor cannot work with floats but must represent
everything as integer ... example: 512 == 2.5 volts )

BUG note: in Arduino version 2: analog inputs 0-5 are mapped
incorrectly 5-0

Ohms Law
V = I x R
V = I x (R1 + R2)

recommendation : make R1 10% of sensor resistor maximum


LDR (resistive sensors)

light dependent resistor (photovoltaic sensor)
--- top covered with thin layer of epoxy semiconductor that permits
light to fall thru
---similar to a light potentiometer

5v --- 1K resistor --- LDR --- grnd
|
analog input


CALIBRATION :::: must find correct range of values appropriate for
light values....

****************

FLASH interface
---cannot connect directly to ports
---can connect to XML server

setup
---download setProxy file from adurnio.ws server
---open .cfg file in wordpad --- change comm_baud=9600 and save
--- open proxy
--- open flashClient.swf
--- set port to 5331



************************************
pure data interface -- processing interface

--- download from site
--- inside bin folder "pd"
--- uses comport 2000 object

serial tr board


*********

Processing

--- built on java
--- can use multple sensors by sending strings....


*****

Assignment

1.Make an eggtimer with 7 LEDs and a potentiometer
or
2. eggtimer, 3 LEDs, 2 pushbuttons
or
3. eggtimer, 2 LEDS, 1 pot, 1 button
or
4. electronic dice, tilt sensor, 7 LEDs





Day 3 : ultrasound
----------

Note: LDR can be used to synthesize a random number.

Review of Simon Says, Dice, and Eggtimer exercises at malmo.

interactive tree at malmo
http://www.k3.mah.se/ktree/start.htm

-----------------

Ultrasonic range finder #28015
--example pink ultrasonic rangefinder from parallax
--this part of course is how to hack a sensor for use with arduino

in ultrasound there is a dedicated microcontroller
2 major parts: sender, receiver
important to understand that in this partiular sensor the one pin (right) is I/O
(both input and output)
so pulse is sent out
then that pin must listen (change mode to INPUT)
the width of returning pulse is relational to distance to target

Coverage (range) of sensor is width of 20 degrees from centre
this means there is a very narrow field of awareness.
And a maximum distance determined by the amt of time the sensor
listens for signal. Max. distance today will be 3m.

Left pin --- Signal pin
Middle Pin -- 5V
Right --- GRND

NOTE: respect polarity of pins!!!!

signal out minimum 5ms
mode change pause max 750ms
signal in pulse minimum 150ms, max. 18.5 ms

question: what strategy to use?
PWM input requires counting time after pulse is sent out and return
signal becomes High

code is on noticeboard posted Ultrasound Sensor

--------------
Accelerometer
parallax is 2 capacitors and an accelerometer soldered onto a tiny pvc rectangle

diagram (= sign is two little square which show which leads go where

Temperature = = 5v
digital in -------------- Y X ------------------digital in
Grnd Grnd

sends X+int
Y+int
report of values back from each axis
which represent the length of the PWM



--------------
--------------
Friday Nov 18th (last day of workshop)
-- genesis of Arduino and working with motors


David Cuartielles goes thru his personal history in becoming quick prototyping devices engineer and creator of Arduino.ws -- path thru research at Anoto to Ivrea where he meets massimo who encouraged him to not use a PIC since it would not work on Mac --- then began prcoess to prototype a board for Haptics ---Ivrea already has a board called Wiring ---
http://webzone.k3.mah.se/k3dacu/projects/ivrea/
Haptics on DC Motors
by Diego and David Cuartielles
Where they introduced the concept of negative force feedback: a wheel turns as long as it is touched.

They did a search around price and size and then approached manufacturer to make prototype and deliver 1,000 --- trying to extend community that works with the board ---

Open Hardware Concept
-- advocates a concept of "minimal laboratory" so that each student can carry board.
-- compares this to IT India which has concept of $40 lab...

--------
David has built a board for motors which he will be releasing,
which uses an H-bridge and piggybacks on Arduino board.
----------------------------------
How to work with motors
---uses relay to turn DC motor on/off
--- and PWM to change the time of motor speed
--- H-bridge (microchip) allows change of direction of motor
--- there is documentation concerning unipolar stepper motors on www.arduino.ws
--------unipolar stepper motors will rotate a certain amt of degrees based upon PWM

--------each motor has general characteristics appropriate for different uses
-----------------------------------DC motors rotating for seamless motion
-----------------------------------stepper motors are more sequential

Also :: Bio Sensors board.
IVREA is developing with touch sensors.
-----------------------------------


[+/-] HOOKED --- Signal and Noise 2006 Application



Signal & Noise 2006 Application

HOOKED (an Installation)

We propose to utilize combinatorial pattern recognition methodologies to construct a state space from biometric data (collected in real-time using non-invasive sensors) in a digital poetry installation; this state space will be mapped to emotional energies. Fluctuations in the emotional state of the space will modulate parameters in video, audio and mobile text.

It occurs in a small room. Only 2-3 people inside at any one time. Each viewer must carry a slightly sticky fabric morsel, that morsel will adhere to their skin or their clothes; its shape can be modulated from an inch wide dot to a small pancake. Barefeet only. At the absent point where the fabric-morsels create a hole in the viewers bodies: 3-D rendered hooks pierce thru; vivisection-style clamps claw; if there is more than one person in room, pipes (of light/chrome/water) sprout from and interconnect the viewers' holes; light flashes thru them as if suns were swirling within; vines spiral out…the fabric swatch becomes a hole, an axon, a perforation into the imagination.

This installation will be created in collaboration with and supported by the infrastructural equipment and resources of the new grad level research group led by Diane Gromala at SFU SIAT.
Themes: addiction, neurology, transcendence

BIOS


(Artists)

JINSIL SEO is a Ph.D. student of School of Interactive Art and Technology at SimonFraser University. In 2004, she graduated with an MFA and her graduationthesis (Sky Reverie), her most recognized immersive installation so far, wasmet with a highly positive response. Her works were featured in New York ArtGallery and Visual Arts Gallery as well as introduced in a Canadianmagazine, d¡¯ART. Her artistic pursuit is to create Media Art works thatutilize space and human body as artistic materials. She authored twocomprehensive books on computing and published many articles inprofessional magazines. She currently writes articles for Jungle, a Koreanweb magazine that covers new media and arts and actively reports new mediaart exhibitions in Korea and New York for Rhizome.

DAVID JHAVE JOHNSTON is a MaSc student at SIAT, SFU. His work has been featured at the Images de Nouveau Monde festival in Quèbec City, Champ Libre, Turbulence.org, Bioteknica, Le Chambre Blanche, and La Biennale de Montrèal. He writes on web-art for www.ciac.ca. His home site is www.glia.ca .

(Research Director)
DIANE GROMALA is an Associate Professor at the School of Interactive Art and Technology at Simon Fraser University. Gromala has always pushed the envelope for art beyond traditional canvas and computer graphics domains into Virtual Reality (VR) and Physiological Computing. Her work has been performed and presented in North America, Europe, the Middle East and has caught the attention of media networks such as Discovery Channel and the BBC. Gromala is the co-author, with Jay David Bolter, of the forthcoming book Windows and Mirrors: Electronic Art, Design, and the Myth of Transparency, is on the Editorial Board of Postmodern Culture and Visual Communication and was Chair of SIGGRAPH's Art Gallery for the year 2000. In 2002, Gromala was named Chair of the United Nations' (UNESCO) Art, Science & Technology initiative.


Contact Information
David Jhave Johnston ( jhave2@gmail.com) / Jinsil Seo ( jinsils@sfu.ca )
School of Interactive Arts and TechnologySimon Fraser University Surrey2400 Central City10153 King George HighwaySurrey, BC V3T 2W1


[+/-] digital poetics : antecedents


^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

If poetics conventionally refers to the study of poetry as metred words arranged in lines on a page, then how does that definition have relevance in a digital context (where phrases and letters can be continuously transfigured and reconfigured on screen)? The keyword “digital” returns no results anywhere in Poetics magazine which has been publishing continuously since 1971.  Searching in the complete Elsevier Science Direct Journal catalogue online using a Boolean “digital” AND “poetics” to search titles, keywords and abstracts returns precisely 2 articles both only peripherally concerned with the subject of digital poetry. So, given that the field is evidently nascent in academic discourse, what methods exist for studying a fusion of poetics and digital media? It seems that the species delineated in Aristotle’s Poetics have mutated.

First step: it seems necessary to recognize that in spite of the lack of academic articles on the subject, the practice of digital poetry is growing. Born Magazine [ http://www.bornmagazine.org ] , Turbulence [ http://www.turublence.or ], and FILE (International Festival of Electronic Language) [ http://www.file.org ] all regularly commission and publish works that exist in online forms and/or as physical installations. Practitioner/theorists such as Camille Utterback, Bill Seaman, Maribeth Back,
Jason Lewis and Diane Gromala have each explored interactivity and text in installations spanning decades. This thesis proposes to absorb the lessons learned by these numerous antecedents in developing a digital poetics which utilizes biometrics. Utterback’s installations concerned with text (Text Rain (1999), Composition (2000), Written Forms (2000) ) have explored how interactive motion and edge-detection can be used to evoke gestural language in viewer/participants. Her more recent works (Potent Objects (2003) and Untitled 5(2004)) explore affect in objects and generative graphics using custom software to develop “aesthetic system” (QT documentation, website).  Bill Seaman’s ( http://digitalmedia.risd.edu/billseaman/ ) PhD thesis completed in 1999 at CAiiA (Centre for Advanced Inquiry in the Interactive Arts) explores “Recombinant Poetics…”, specifically,

“a specific generative virtual environment created as a new space for the production of fleeting poetic artifacts to be experienced in a fluctuating
generative navigable electronic space. This is a space in which the participant inhabits a continuum bridging virtual space with perceptual experience….. If one was to make a contemporary poetics to explore this active relation between
ongoing experience, thought and memory, what would this poetics be? I have authored this techno-poetic mechanism, a specific generative virtual environment, as a means of computer-based inscription to examine and explore this question.”

Seaman, Bill. (2000). Recombinant Poetics. Retrieved Nov. 11, 2005, from RISD, Rhode Island School of Design site: http://digitalmedia.risd.edu/billseaman/pdf/recombinantPoetics.pdf

Maribeth Back, a researcher at Xerox Parc, develops technology around reading and curated/developed the 200 exhibit "XFR: Experiments in the Future of Reading" (Back, M, (2000), Retrieved Nov. 11, 2005, from MIT site:  http://xenia.media.mit.edu/~mbb/ ).Diane Gromala’s BioMorphic Typography is “… a family of fonts that respond, in real-time, to a user's changing physical states, as measured by a biofeedback device.”
(Gromala, Diane. (2000). Retrieved Nov. 11, 2005, from Georgia Tech site: http://www.lcc.gatech.edu/~gromala/art.htm ) represents a viable foundation for mutating fonts, as does the dynamic text software created by Jason Lewis Active Text now called Next Text and under production at the University of Concordia, Next Text is a set of java libraries which allow a diverse range of pixel-level manipulations in conjunction with a collaborative PDA-text messaging capability.  

In July 2006, MIT Press will be issuing NewMedia Poetics “The first collection of writings on poetry that is composed, disseminated, and read on computers; essays and artist statements explore visually arresting, aurally charged, and dynamic works that are created by a synergy of human beings and intelligent machines.” (http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10918)






[+/-] neurocomputation and oulipo
---------- ------------------------

Multimodal wireless biometric sensors produce enough data to produce a combinatorially significant state-space. Churchland uses the metaphor of tastebuds, given 4 types of receptors capable of emitting values between zero to ten, “the total number of four-element patterns one can discriminate will be 10 x 10 x 10 x 10=10,000” (1995, p.23). Similarily, Queneau wrote ten sonnets with all their lines designed to be interchangeable: 10 to the power of 14 possible sonnets (Motte Jr. 1986, p. 3).

I propose to utilize combinatorial pattern recognition methodologies to construct a state space from biometric data in a digital poetry installation; this state space will be mapped to emotional energies. The mapping methodology will involve what I am calling intuitive micro-iterations. Specifically, I will test the device on myself, trying in a subjective qualitative way to correlate specific emotions with patterns in the data. After a rough sketch of clouds of data associated with specific emotions exists, I will work with actors and actresses from a local theatre company to tune the machine’s awareness so that the state space generalizes over different physiognomies.

Admittedly, this process will yield imperfect results, but it will allow a rough approximation of normative emotional states. Attention will be paid to investigating taxonomies of emotions so that the state space will have a coherency which will allow interpolation between related or similar affects.

In parallel, an ontology of display features will emerge. I am not certain how this will occur. At this stage, I am utilizing an evolutionary model: create a world, allow features to flourish, then prune back to the essentials. The computational code will in this respect be modular to allow new features to emerge and evolve and others to be discarded with a minimum of labour.

What is meant by display features? The sensory ecology of the installation space (the
video, sounds, textures, smells, and words) contained in the space will form an interconnected system. Display features are any elements of that ecology which change over time. Example: sound can flow forward or backward, words can fly at variable speeds. Simply, the body of the viewer will influence (not control, and this is a fundamental distinction) what is perceived. This influence will be implemented as recursion so that the system builds waves of increasingly sensitive feedback before reaching an exit condition and shifting into a new mode of interaction.

I anticipate trying to build a minimum of three modes of interaction in order to emulate a rudimentary narrative structure: introduction/development, crisis, resolution. This structure will be echoed by the classic research structure followed as I write the thesis : context, problem, resolution (Booth,Wayne C.; Colomb,Gregory G.; Williams, 2003). The content can also be understood as a tertiary structure: audio, video, words. And the conceptual material is emerging from computation, poetics, and cognitive neuroscience. So the piece will be interpretable as nested triplets.

//



// tarkovsky tangent….


As the mad preacher says in Tarkovsky’s Nostalghia: “…we must hold hands….The eyes of all mankind are looking into the pit into which we are plunging. We must mix the healthy with the so-called sick. Freedom is worthless, if you don’t have the courage to talk with us, eat with us, sleep with us. ...It is the so-called healthy who have brought the earth to the verge of ruin. Man, listen. In you, water, fire, and then ashes. The bones in the ashes.”



// a tiny liminal note

Lucid arguments for a confluence of neurology and computation generally arrive at a point where the symbolic structures of sensory phenomena and language are converted into algorithms. Patricia Churchland in The Engine of Reason, The Seat of the Soul; Churcland speaks of how “the nervous system employs a combinatorial system of representation” (1995, p.22) . OULIPO (Ouvrior de Littérature Potentielle) created literary works using combinatorial methodologies, as early as “1961…[when]….the expression combinatory literature [was] used, undoubtedly, for the first time, by Franç Le Lionnais, in the postface to Raymond Queneaus Cent Mille Milliards de poèmes …” (Motte jr., Warren F. OULIPO A Primer of Potential Literature, University of Nebraska, 1986, p. 16)

//


[+/-] David Small Rethinking the Book

&&&&&&&&&&&&&&&&&&

David Small , Rethinking the Book
Thesis for Doctor of Philosophy, Massachusetts Institute of Technology, January 1999

“The results of this experiment suggest that designers can
increase the visual complexity of temporal typography
without fear of reducing their audiences ability to read the
text quickly. Increasing the amount of visual information
that was displayed did not confer any advantages in the
speed of reading, but did increase the subjects rating of the
quality of the presentation.

However, the high variability of preferred speed between
subjects, all of whom were college students used to reading
moving type on computer displays, suggest that it may not
be possible to find a common preferred speed for the design
of temporal typography. Those who design such systems
should account for this variance by giving more control to
the reader in the pacing of the information.”

[my emphasis]

David Small also advocates a merging of interface and display (Small, 1999, p.96). This approach will inform my GUI design. Prior to reading David’s conclusion, I had already built a web-based interface (maerd.ca )which in its early stages uses no buttons. It relies upon the simple habit of humans to click at moving things, to touch things, to chase, to follow what makes noise. It activates their reflexive emotions then through content thematically entwined around proximity and fluidity attempts to evoke an ambiguous meditation upon congruence. Maerd was motivated by my frustration with complex GUIs which necessitate the viewer learning a set of rigid maneuvers. The interface was designed to be immediately intuitively comprehensible; to shorten the behavioral reward cycle and thereby induce satisfaction. What I discovered is that without clear task oriented processes immediately apparent, a mild confusion emerges on initial contact with a buttonless display. A fruitful line of enquiry would be to explore what cultural experiential (age, gender, class) or physiological indicators are involved. Is confusion learned?

Interfaces of the future will grow through life-cycles: beginning simple, maturing, making friends with their users, attuning sensitively to their viewers’ biometric states. Numerous researchers have explored this goal; it is one of the fundamental focuses of AI. Rosalind Picard author of Affective Computation sees the problem of emotional recognition as a pattern recognition problem(1998, p.55). Her recasting of the problem from psychology to computer science  transforms affect from a qualitative to quantitative problem. The steps she outlines for developing an intelligent emotionally-aware computational companion will guide the implementation of the installation space biometric devices.

Central idea: the interface design and creation methodology will both be guided by reasoned intuition. Users will be given freedom to activate or deactivate as  many features or responsiveness, reconfigure features in modules.


[+/-] fear anxiety and human white matter

(pg.209) “In contrast to the paucity of natural animal models for anger, there is an overabundance of models for fear. This probably reflects the widespread recognition that fear responses are learned readily and that they have distressing consequences for people.” (Panksepp, 1998)




Anger ( if we count among its products: war, domestic violence, random dominance) is destructive. As is love: suicidal unrequited, forlorn neglected. Humanity generates patterns of responses to external stimulus. Most patterns are paradoxical. Specific situations bifurcate out to mutually inconsistent generalities. Paul Vallery’s “collision of disparate affinities”

Abstract waves of emotions traverse collectivities : information propogation, propaganda, teachings. Many of the contemporary commentators agree emotion and cognition arise from the same neurological substrates; share the same neuromodulators, communicate. Energy mutating across gaps: subject-object, viewer-art dichotomies less relevant than fluid turbulent metaphors, continuities of form.

I am interested in learning how things think; how peace and war are only whispers of similar energy, restructurings crossing membranes. The centre of our solar system is apparently a black hole that winks. Investigations into anxiety and fear and anger and love have never been more timely: quivering with dopamine, adrenergic glistenings responsively cascading morsels of data perceived as phenomena.

Existence itself is a mystery, the collision of neuroscience and poetry is a marriage of mutual unknowns, ambiguous terrain of heart and brain both embodied.

photo from MRI Atlas of Human White Matter (2005):



Deadline nov 15th http://www.signalandnoise.ca/







[+/-] Artistic Methodologies
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||

The following quotations are all verbatim transcripts from
Sollins, Susan, Dowling, Susan, Art 21, Inc, PBS Home Video and PBS DVD video. Art 21 2003


I never begin with an image; I never begin with an idea; I begin with a [physical] model…
What concerns me is the relationship of the elements.
Richard Serra

Making art the way it should be made without any overarching reference,
just for fun, can you imagine that!
Sally Mann

You need to reflect. You need to confront yourself….
I want to provoke change. Not only socially but physically and spiritually.
Pepon Osorio

I know when I am making work, there’s a point when I can’t see it, I can’t see it in my head and then you know there’s that moment when you can see it, and you think it might be beautiful, and its like it bites you and then you will go to all ends to see it in fact….
Ann Hamilton

On very few paintings have I known what I was going to do when I started the painting. For me it has to happen as I do it…It’s a struggle.
John Feodorov

It’s sometimes hard for people to follow what you want to get done.
James Turrell

I don’t have any specific step to take because I don’t start the same way every time. There is  a knowing when it is enough and you can leave it done…
And a lot of it is accidental.
Bruce Nauman

How do you intend to incorporate the present moment?
…It’s just the kind of question I would be interested in hearing reflections on.
Kerry James Marshall

It’s all about a play back and forth between inside works and outside works. All trying to capture the landscape.
Mia Lin

A work of art doesn’t have to be explained…
Well, if you don’t have any feeling for it I cannot explain it to you. If this doesn’t touch you. I have failed.
Louis Bourgeouis

Man has always tried to cover up what is most ugly about man.
Matthew Ray Charles

Making art is not about one track. It’s not about one method….
If we’re gonna make art it should be liberating.
Mel Chin

Trust your intuition...Always in my art I practice that.
Kiki Smith

I just want to recognize anonymous everyday life.
Do-Ho Suh

The story comes to me as visions…
Trenton Doyle Hancock

I try to be intimate with everything I can
Gabriel Orozco

He came to this knowledge thru the experience of his body
Janine Antoni

This iss something that I don’t want to elaborate on too much because I think it is in the work. I came from a generation where the work was itself the information. So there remains the belief that the work itself can have an identity that can hopefully speak.
Martin Puryear

I just have this instinctive desire….
It’s like letting something unconsciously seep into the work, some subtlety that my brain was not capable of figuring out…
I tell u these images just flow thru from my life.
They have no symbolic meaning.
Vija Celmins

I don’t do preliminary drawings for pieces. Maybe I can’t think that far in advance and visualize the piece in a finished state. I find it much freer to go right in and start making the piece.
Tim Hawkinson



[+/-] Tonights synpase cinema careen
                                                                         *****

….. the synapse has influenced cinema. The notion of narrative as tunneling, glossy networks of glazed alpha masking flocks of letters, jolts of corners and trajectories as screens of percepts coagulate around us like jellyfish

Reading: James William & Lange, Carl George, The Emotions, both men published in 1884-5 independent treatises now recognized as fundamental James-Lange model, a primitive yet lucid hypothesis of the limbic brain

Just spoke on the phone, rebooted the machine, blogging introspectively
6 billion other autonomous sub-units of same-model replicants
instinctively groping the darkness with the stunning sun of plasticity

James (1884): “…emotion dissociated from all bodily feeling is inconceivable.”
Lange(1885):  “… bodily manifestations accompany each of the affections…”

Lange (pg 65)”No man, in fact, is capable of differentiating between a sensation of mental and one of physical sensation”

Lange pg(73)”The stimulation of these cells, which lie chiefly in the part of the cord between the brain and the spinal cord, is the root of the causes of the affections….”

The consideration of translation between domains interior to the exterior as reciprocal

“a dense meshwork of reentrant connectivity between the thalamus and the cortex…”(Edelman&Tononi,2001, pg 43 caption to figure 4.4)

I live in a rough neighborhood, an interface between competitive structures in society. Twice today I was offered morphine. Pain and opiate mu receptors staggering on tensile sinewy joints looking for $s at 8am their faces gaunt from the love of it, a couple staggering, fleshless, moist in the mist, thin, haunted, whispering. Then, coming home, happy swift, optimistic digiratti, someone whispering at me, long gaunt face under a felt hat, “Polygons?”

And find myself diving into googleEarth to find the Surrey Seen exhibit, hours later, contemplating the contemplative synchronicities of the world. The intermeshed turbulent froth of meaning and value in which we as independent variables are adrift. For this project features

One River (running), a media installation commissioned by Liane Davison from the Surrey Art Gallery. For this work we [computational poetics group] developed a media diffusion system for multichannel video across 32 screens and 360 degree projections on four walls of the gallery room, 16 channel audio, electronic puppetry and interactive, real time animation. One River (running) features surrey citizens taking about their experience of Surrey.

Maya Ersan also has a video on childhood there. Maya was at etay.ca Full circle: I went to school in Surrey England as a child. And there is the REMIX.su.EE software< I’d like to find designers of.

///other news irrelevant at many levels

My lover I fell in love with in high school  is arriving the day of the Surrey Unseen opening. The

introspective turbulent braid of memory
longing concurrently ravished by careening
contradictory stimulii

The impact lusting hyperbole parade
of learning and licentious mind continues,
a carnival of lucidity semiotics and saliva.

Other news of note: ecstatically competent http://www.davidsmall.com/ did a thesis at MIT called “Rethinking the Book”. It’s on my would-like-to-find-list because his work probably makes a lot of paths.

Listening: groove salad, sleepbot, bell orchestre
Watching: 2001 CSI (silently) using winDVD (its vaguely terrible like chocolate but I’ve never owned a tv) “unreasonable”

…basically homicide with gloss, neuroanatomy as sexy, detectives chiseled and taut, home team always wins, propaganda for a justice system that is caught in “a dense mesh of reentrant connectivity” with criminal culture. Models of networks scale well across axises, porous to the concept of connectivity,  precipitating emergent behaviors: mutual all-pervasive compassion across all levels, to all beings respect, to all beings love, transformation, before the birth of that dirty bomb web ricochet, the spasming before the entire planet blows its neuromodulators out in a great sneeze to the other lonely remote civilizations of unconceivable entities, also blogging answering their phones, probing the phenomenal dirt for answers….

“Drug dealer”, “Service provider” --  dialogues from pop culture --
The symbiotic face of the limbic system is given the same blind one-sided analysis (only the cops) as in classic neurology which ignores the passions as too inexplicable for investigation for 120 years after James-Lange, 2500 after dhammapada, CSI always has to interrogate passions, who tell their story in solarized jolty rough cuts, not allowing itself a steady gaze, a glassed cage of competitive analysis, symbolic forms  and rhythms language between nodes of significance….muddy grimy microscopic imagination moving over the evidence extruded from proprioceptive ganglia…teams of neocortex examining transparent blood in the muted chemistry dayglo of the lab….increasing levels of concealment, capture, strength, stories, repetitive structures distributed at regular doses along prescribed plotlines.

Metabolisms concealing murders; murderers catching murderers.
Stop the amputation between ethics and ethical action.
Earth eating earth.
Paying for success with wisdom.











[+/-] schizos corner
                                                                                               -*-
I had the opportunity to observe 2 schizophrenics today. I can only remember one clearly now. (Why do events fade from consciousness, then reappear? Perhaps we have misnamed this faculty.)  Both schizos were on the sky train. In the afternoon, wearing black shoes, beige pants, fresh washed jean jacket, 50ish, good teeth, hunched posture, as if talking on a cell phone, laughing, gesturing validly, really enjoying herself. Her voice was low enough that only its entirely naturalistic friendly sane cadence came thru; she was speaking the voices that swirl ceaselessly like hawks, the paying the bills, taking a tally of events, trading gossip and trading thoughts, chatterbox voices, -- soothing sharing resilient, secretive. At metrotown, she told herself, “you get off now.”; she got off, crossed to opposite platform; looked for an approaching train, turned, saw the doors still open, began to run back as they slowly closed and we left her. During this whole time, the kept a steady grip on her ticket which I could see curled in the palm of her hand.

So what of the schizo I cannot remember? All I can visualize is his thick neck; my hands reading the book; he was seated (in profile?) in front of me. Then my thoughts run off into adjacent events: the stale slice of pizza recently scarfed (white lucid cheese congealed on thin scrap bleached lukewarm triangle made me nauseous but I was hungry), the alert kid in the restaurant pouring salad dressing on his slice, the newscast tv in corner covering the teacher strike in the rain, all these events are clear. And the sensation I had of a profound revelation arising as I read Edelman and Tononi’s while listening to the man mutter. This constituted for me a threshold event where theory was meeting praxis; where he was becoming symbolic cipher structure and experimental vector upon which the elements of their world view became clear.

Is the sanctimony of identity really the sanctuary of identity?
Perched as it is on a careening heap of mental information, sniffing at the ground occasionally, licking the rain that collects in the presynaptic corners, the calcium-hued hound of consciousness occasionally goes hunting in the body and calls these moments instincts and passion. There it encounters the chaotic bubbling of scents that evolution normally conceals from us in order to shield the centre of our navigational form from integrity disruption, there in the body, consciousness races and crunches down jolts of pleasure within our enteric neural structure.

Mary Oliver, (Long Life,pg 26) “By the time I reach him the last of the newborn field mice are disappearing down his throat. His eyes roll upward to read my mood – praise, amusement or disapproval – but I only touch his head casually and walk on. Let him make his own judgment. The mice construct thick, cupped nests deep in the grass from which they travel along a multitude of tunneled paths – to the creek perhaps, or into the orchard to find a bruised apple or a leaf of mint, or buckberries. Then they hurry home again, to the peep and swirl of their nestlings. But these babes have been crunched on Ben’s molars, have begun the descent through darkness and acids toward transformation. I hope they were well crunched.”

Consciousness in corporal form requires other corporal forms: society, food, stimulus.

Tuesday, October 18, 2005, 12:41 Shoutcast Culture Failure streaming radio is now playing “Kid Loco-Nan reprise” which sounds like a Japanese karaoke ballad intermixed with hip-hop. Fading in and out simultaneously, seemingly without any rhythmic or any knowledge of each other; recorded separately and recombined without any attempt to hide their disparate origins. The effect is really schizoid; like voices bubbling from different brain regions. Chapter 3, Tononi and Edelman insist “at any given time we are conscious of only one…[meaning, thing…]”(pg25)

( 7 pm, skytrain) Behind me, diagonal across the aisle, a 9r old chanting a singsong dirge, a dare-dream, rhapsodically letting words dance out of her mouth, turning her eyes slyly up to greet me when I looked, sticking out her tongue, mimicking possession, and really possessed. Possessed by an interiority that defies normative bounds on what sounds humans should make when humans are together.

Two laughing, husky throated, plucked and sensual bar-girls heading downtown on the 20 bus, as we pass Hastings and Main, one says, “Hey look, the corner is back!” And she points to the large thick clusters of homeless gathering in the shadows of the Carnegie community centre.  

As I get off and stroll past the crackers, toothless old whores, crippled shuffling men, glassy-eyed rubbery junkies, I think maybe the girl on the bus was right. Her casual reference to “the Corner” conferred existence upon it; and I wonder if, at other levels of scale, through other perceptive hardware (different brain lump, different sensors) the Corner may have more palpability than the individual human entities who populate it.




[+/-] Interview style (iat801 week6 q2)
                                                                 ^^
“Interview” in its etymological form is essentially “seeing between”, a sharing of what is common. In other words, interviews are temporal membranes where subjectivities exchange information using language.

In my work I will (probably) not utilize either structured/semi-structured interviews as they are defined in the methodological literature. However, listening and actively or spontaneously soliciting viewpoints is a fundamental aspect of learning; so I will utilize an “unstructured” interview style. This "unstructured" style will consist of being aware that relevant information may be inherent in casual words that occur at spontaneous or random encounters. In this respect, I feel “seeing between” subjectivities is relevant to my thesis since occasionally I am going to attempt to evoke universal thematics common to many minds; at this level, art is a form of seeing between many beings all at once, a synthesis of the cumulative “interviews” which are constituted by our many encounters with other human beings.
Endnote: This morning I dreamt that I was on the skytrain and met 3 patients who had survived radical brain surgery; I was giving them my phone number so I could schedule interviews, when the phone rang and woke me up....Circles within circles.

Narrative arises from the observation of humans and the confluence of events; it involves an absorption of the intricate complexities of subjective consciousness that contribute to choice and the evolution of events.


[+/-] Decalogue 2 the doctor

()()

Warning: this film contains judiciously-selected ambiguities. Crucial details that contribute to central moral quandaries are occasionally not supplied. What is important to recognize here is that Kieslowski first entrains the neurological apparatus concerned with ethics; once activated this system will operate even if the evidence is incomplete; it does so thru speculative confabulation: “What is the doctor’s relationship with barabara?”—“Does the doctor lie to the wife in order to prevent the abortion? Or does he really think the husband will die?” – “In the symphony, is the wife’s lover the conductor? Is he there during the final shot?” – “Does the husband know about his wife’s affair? Is he aware the baby is not his?”  

The answers are not given. But portraits of the individuals are drawn with such simple sympathy that as a viewer, we desire their answers, answers will resolve the energy evoked in the lateral hypothalamus, calm the dopamine storming along the ascending ventral channels; it is by this method that this art operates: by creating a need born out of empathy.

A soap opera answers these questions. Kieslowski does not. Aware of the interrelation between the unresolved, curiosity, obsession, he leaves the viewer with dilemmas, internal decisions, choices. The plot, while clear and utterly realistic, is perforated with symbolist subtleties suggestive of a patterning that goes beyond mere chance. Viewer is not passive but active, invited and even complicitly involved in the resolution at an individual level. This utilization constitutes interactivity.

Axiom: There are species of interactivity. Some interactivity occurs internally in the brain; some in the body.

()()

Rapid Synopsis:

Raking man finds a dead rabbit
Looks into skyscraper where a man fondles a dead cactus, talks to his canary, turns on the radio where news of another coup finished is announced, lights stove, puts pots on, and kettle, door rings,
man with rabbit asks “did u drop it doctor?”
old doctor fills his bath with water from stove
then almost faints, weary, wipes his face
leaving apartment, dog barking, woman in hallway, smoking, near the elevators, they share a nod, he descends, she turns and grinds out her cigarette
outside, he reaches sidewalk,
opens interior door, she is there, standing at window,
implication day has passed she has done nothing but this
or maybe this is a recurrent encounter
the nervous woman gains resolve strides toward his apt door
he hears her feet and stops washing his vegetables, peeks thru the hole
she is startled
“you want to talk to me?”
“I live alone….u remember me…”
“…yes you almost ran me over last year…”
“...my husbands in your ward….”
“Relatives get informed Wednesday…its  Monday…”
“only then…it’s a pity I didn’t run u over…”
she stalks away, doctor reactionless
sits at kitchen table, milk in bottle, bread, jam, newspaper
doorbell
“come in barabara”
“good morning doctor”, another woman, older not oldhe gets kettle
she takes off coat
he picks up aloe, “its poorly”
answering machine, voice, “its anka…going to trip school…”
photo of skiing
anxious woman crumples up a letter….
Barbara makes tea,
Doctor describes sitting with a sick child all night,
Mother not sleeping, father comes in morning missing tooth,
Doctor tells him baby was getting its first tooth.,
“It fits, I got my scarf, sees man with baby trying his tooth in babys mouth
,  his wife says too many teeth,…” he goes to work…..

Repeat scene anxious woman at window doctor stops to talk
Invites her to come that afternoon
Elevator, woman listening to record, sees thru blinds,
Doctor walking to work,
Woman Begins breaking the leaves off her house plant,
Methodically, slowly, killing it,
Sound, man walking away
She bends the stalk down leafless and almost rips it up
Sits weary
Doorbell
Postman, her husbands sick pay, she must show her passport, sign for money, she asks time, thanks him
Doctor among traffic, street sign, crossing roads, entering hospital, nod to patients,
He asks after the woman’s husband, gets his chart….opens door
Woman is there beside husband, she does not see him watch her
Husband is unconscious
Neighbor suggest she leave the food she brought, woman watches her sick husband’s body….touches pillow, stands, leaves…looks back at door…as soon as door is shut, man’s eyes open, he swallows hard…wife waits in corridor, is escorted in to doctor, who has chart…she sits, he reads, she ask to smoke, he agrees, she does not smoke, …surgery, it looks bad…will he live…I don’t know…I must know….u must know….my only must is to do the best …..doctor gets on phone….woman leaves….
Water drop on edge of bed rim….sick man looks up….sweating, watches the leaking ceiling….the curled green grey paint, the leaking walls, all moist and warped with breath, the wet dead leaves on the windowsill….
Car outside…woman tries to offer doctor a life but he refuses….she follows him in her car as he walks….doctor ducks behind a wall and loses her….she sits in the cold car and smokes….light in his apartment comes on….woman gets out of her car….doctor reads notefrom Barbara : soup is in fridge, aloe repotted,….doorbell, doctor turns picture to wall before letting woman in…he tells her he used other staris….anxious she immediately smokes…doctor takes him time, puts on hot water…comes in tells her again: “I really don’t know…wife: our marriage is good, love him…doctor: yes, try to understand, we know nothing about the cause, nothing about effects….wife:Americans inform their patients….doctor: all we can do is wait…..wife: if u can spare another time, I’d like to explain my problem…I’m 3 months pregnant by another man, this is my only chance, if my husband lives I cant have the child…I don’t know if u can understand its possible to love 2 at once…it is possible…
Doctor: his chances of survival are slim…but ive seen many recover..
Wife mistakenly butts out cigarette in matchbook which flares into brief flame
Wife: u see my husband gave me tranquility, the other,….one shouldn’t wish for everything…
Do u believe in god
Dr: I have a god there’s only enuff of him for me
Wife: then ask him for ablution
She leaves
Dr wipes his face.
Bird squeaks, he covers the cage, looks at old picture of wifde and child he had turned to wall….
Man is waiting for wife
He announces, we’re  going, he has brought a knapsack of a dead friend,
Wife finds it creepy, throws it out door
It is her husbands bag brought by her lover
He holds her

Wife moves coffee cup to edge of table, steady, watches it burst…
Listens to concerto, phone ringing, wife listening immobile…
Its her lover leaving a mssg, (other man was not lover!)from a different time zone…wife listens…does not answer…tape ends, concerto continues, she is crying
Wife lying down
Scraping sound….gynecologist…it s a beautiful baby…
Wife I want an abortion
Dr: first time to see u, it’s a bit fast, day after tomorrow
Wife entering café, man reading, smells her hand
Silent encounter, when did u arrive
Last nite
I am supposed to tell u he expected u there
He couldn’t reach u
Wife I know
Her lovers friend is asking her take some scores with her when she goes to see the unseen lover….microscope, doctor, looking at blood samples…cameo angel appears,…doctor is asking opinion of colleague…
Wife , listening to phone….
Lift the receiver, you’re there aren’t u?
She answers…she tells her lover about the abortion tomorrow..and they know if she does it and her husband dies, they will not be able to stay together….they both know that..but her mind is made up…she will stay…as he says I love u she hangs up….
Her eyes move to the photo,
Red hot heater, morning light, aloe, tea pot , Barbara and doctor
“not much more to tell, I went to work, I was told a place would do a pickup, I asked if children were alright, children were ok, father put the phone to his mouth, that was at 10, at midnite I left work and when I got home there was no home…”
woman arriving for her abortion, dead body, of her husband’s roommate being wheeled away….husband mute curled desperately sick …she hesitant, “can u hear me? I love u very much….she strokes his face”…the cameo watches from corridor…
drops of water, falling, husband twitching, the sound loud solitary, the leaking walls echoing,… she leaves the room, and walks into a doctors conference, she tells him she is having an abortion….”don’t do it” he’s dying…she walks slowly and sits, he joins her---” how do you know?”-- “complications, he hasn’t a chance”—“swear to it”—he swears--
he asks about her work as musician, he would like to come hear, she leaves….
Thru Venetian blinds, woman, looking outward, camera falls, falls thru darkness many floors to the doctor in the dim light, red lit listening …camera spins, across speckled walls, then fast to the sweating dying man, whose eyes, open, head turns, looks at a bea struggling, drowning on a spoon in a jar of sweet tea, its legs struggling for grip on the slippery shaft, it succeeds, and follows the rim….
The philharmonic, her playing among them, a mournful dirge, she looks out….
Knocking at the door, patient, husband, thanks him, the discuss xrays, how man has returned from death…..”I had the feeling the world was dissolving around me…to try to make me regret it less…I can touch the table…whats more were going to have a baby..”
Doctor looks down…patient says:do you understand what that means, to have a child?”
Dr: yes
Fade out…



[+/-] It seems to me
*
It seems to me, that if the ultimate goal of knowledge is to know, and as that as knowing grows more inclusive it accepts the other and other categories of being as aspects of the same energy from which all consciousness comes, that then spontaneity needs to be accepted as a category in science (as much as neuroanatomic determinism needs to be injected into art).

I seek an art that incorporates the clinical reductionist rigor of science, yet remains true to its roots, which are perhaps snarled in synchronicity and stochastic processes.
*


[+/-] Decalogue 1 "What is death?"
Decalogue, Directed by Krzysztof Kieslowski, 1999, facets multimedia inc.

Chapter 1, Decalogue I, “What is death?”

carries an implicit thematic of divine retribution that is actually a very paradoxical statement about human ignorance, love, parental joy and grief, wrapped up in some very intriguing cross-currents of AI and synchronicity...regardless is a deeply fundamentallybeautiful meditation on loss

------------------------------------------------------------------------------
Rapid pt form synopsis transcribed while watching (error full and uncorrected)

Image 1:man with stick sitting by fire in snow.
…then as always, a continuity of sound and a ricocheting away, disparate times, a crying woman watches a television through a shop window at night, the man is crying too, by his fire, wiping the tears away, as the camera looks up into a fluttering flurry of birds, a concrete pillar, a boy reflected inside a window, buddies doing pushups competition, dad son, seeking an idea for a story, math problems, timing trajectories, differential variables filled in on a cathode screen, child solves problem then runs into snow, greets the neighbour girl with trolley, walks to a church, fire-roaring man still sitting, his dead dog, frozen still, fur covered in icy chunks that boy tries to remove. Bell rings, enter” yells man, types on keyboard, boy in kitchen lights stove before taking off coat, screen scrolling. At meal, dad reading newspaper boy asking questions about death , “what is death? “ smech “the heart stops pumping, ….” “So what’s left” Memory….milk in coffee. Sour milk. Funeral orations: no words of soul, only farewell, agnostic, truthful, “Nothing only…” child grieves and rants against the dead dog….headmister being interviewed about a milk-giveaway gone sour…girl with guinea pig in box…skaters slider, mom yellin picks up boy…boy demos locking and unlocking doors using computer, turns taps on and off remotely ….mother is sending me a letter every hour is another program he created, program has memory and can be asked questions, mother and child discuss dreams, they talk about dad, child gets hungry, they leave while child say: “its ap[ity dad wont let me use his computer, it would surely know mom’s dreams.” Boy and child get off bus, and race home over the slushy field. “Shall I wash up?” Meal is over. Mom shows boy, photographs “Is that him?” “Is he Kind? Clever? Do you think he understands the meaning of life?” “Yes….” Photo: pope jean paul in pile..mom appeals for kindness and giving…”One is alive and it’s a present, a gift. “Dad’s your brother isn’t he?” “You know he is”….Your father measures everything, “God is very simple, if you have faith.”
“But who is he?” Aunt holds him:”Feel this” tak “Exactly” Fire outside. Chess circle, father playing woman pacing circle of multiple opponents; child advocates castling. Woman paces by. Man castles”Child:”See she’s using a system” Child wins. Happy home phone rings boy dives to answer..”Pavel did u ask dad?” “Aunt asks whether you agree.” Aunt has arranged lessons, there is a new church nearby….pavel, “you turned it on?” gestures at lit computer. Dad asks computer:” colleague what do you want?” Screen says:”I am ready..” dad turns it off manually. Child suggests maybe computer was replying to dad’s question; dad says he was only joking. …Boy is bed reading, dad is going out….Its minus 14 , he’s putting on cologne, boy asks after mother….dad lecturing on paradigmatic axises of neologisms in translation…..”an intimate language….cultural luggage of a language…how to est and under …metesemantics…”…boy is watching as dad finishes lecture….paraphrased lecture: imagine omni-translator mathematica binary which selects makes choice, even wills, a properly programmed computer may have its own aesthetics or personality….fire is out
man sits immobile staring at smoke….frozen water in bottle cracked outside….”Look after only 1 hour…” Child:”lets make calculations…” Child phones meteorological unit for temperatures for last 3 days….p =f/s …..skating is ok!!!ice is thick enough for someone 3 times his weight….kid has discovered his skates, Christmas present in drawer
…..dad goes for walk……..feet gliding over firm ice…shore fire, man watching….dad is testing the ice being watched by the fire man, skate lolling, dad running thru the nite, looking for child….hundreds of static silent witnesses outside….finger touching the skate, finger of young boy touching blade, safe in bed, dad says he has tested ice, elephant is asleep,……plane overhead, equations on paper, drowning in ink that flows from beneath. Bottle has a hole…..doorbell, little girl, 3 or 4 asks for pavel….ink and hands in sink, fluid blue in this porcelain light….ambulance siren, fire truck dad watching from window, telephone, neighbor calling, is pavel home? …dad watches hysterical mother fly down stairs….follows sirens of police car, upstairs into building across sidewalk, English teacher has flu…..dad cu mayb worried….descends to basement, finds other mother…the ice broke on the river, it couldn’t….have u seen pavel? Yes he told me his dream! Girl says…dad runs now, at beginning of stairs running up stops, turns, takes elevator, old man, speechless gets off at one….pavel ascends….apartment is empty…phone….calls mom, but she hasn’t seen him…dad gets very angry about ink that spilled, then tells her ice broke on lake…but yr calculations? ….but it broke….parents agree to go together….dad on walky talky among the skyscraper pushes thru brush to shore…squack of walky talkies……a crowd on the edge, a hole in the ice…..the fire burning on shore’s edge….firemen extending ladder out to hole, pears hook into dark water…jacek gets reunited with his loving mom…girl talks with dad suggest jacek may know something, he catches them at elevator, runs, to hear, other child say, pavel went skating on lake…….dad sits on stares, absorbing the news, night has fallen, the ice has broken, police are roaming over the ice in skiffs…the crowd continues…mother and father among the others, watching, waiting…..watching the hooking searching for bodies, the bringing of the body out, dark, wet frozen child, dead….everyone goes down on their knees to pray and it is only the parents there, standing watching this horrible truth come out of the dark water, almost collapsing, silent, mother behind dad not even looking….inside it’s the same, shock, empty, thoughtless, full, staring, soundless, mute, immobile, unresponsive, numb, computer screen is awake…..i am ready….dad running into the silent dark cold night, under the cavernous empty arches of a hollow chapel….pacing up the aisle to the railing with the flickering candles, pushes the empty barricade over….icon weeping where the candle white wax spills over its cheek…picks up a glimmering chunk of night ice from a barrel to sooth his forehead, holds it against skull, holds that white….tv face running in the nite, mother was watching, fade to dark….….…


[+/-] visual complexity dot com
My favorite project on an astonishing site:

Information Flocking Boids

makes me wonder what happens when infoviz will be driven by neural images homeoestatically evolving within the witness.

Brain archetypes cascading from chemical into electrical axon intercepted by digital: the visualizations of the future will involve subjectively sensitive images. Infoviz wizards will be feted by warlords as now to identify threats before they happen. Material textures will be evaluated at high resolution over extended periods of time: the resulting video becomes an archetype. Survey evidence assessed online thru a large gateway will then create idealized maps of how symbols – images -- map onto fear, love, everybody’s lost emotional hideaways publicly notated in keystroke evidence as this footage, subliminally buttoned, serenely disposed of inside an algorithm, is converted into a flicker turbulent froth. This living froth extracted from micro-nature is then compared with the actual data incoming in real time. A figure is rendered up from a library. The figure is a model chosen dynamically from a plastic morphable set of features. The body is broken down into constituent molecules, any lifeformn can be grown with ease. The depths of the subconscious fear-attraction-energy-love-anxiety-lust turbulence circuit remixed with a subcutaneous image at all times. Varying maps of the immediate vicinity are in the lower eyelid. A thematic subject, some interest, these keywords are plucked from the lateral hypothalamus seeking, converted into froth, mapped onto archetype, and reprojected vibrating under the upper eyelid. After several decades, the cultures grow


[+/-] Cajal, education and timelessness
.... how ( little) times have changed

Ramon Y. Cajal, the esteemed neuroanatomist, whose fastidious sketches of neural structure are canonical revolutionary explorative science and exemplary works of art, first published his autobiography in Madrid in 1901-17 as Recuerdos De Mi Vida. In his preface to the Spanish edition, (cited by the translator, Cajal’s preface is inexplicably missing in the English edition) Cajal makes clear that his purpose in writing an autobiography is to provide, “a case of individual psychology and a reasoned critique of our educational system….an exposition of feelings and ideas. In it will be reflected synthetically the series of mental reactions provoked in the author by the clash with the reality of the world of men.” (pg iii)

At one point in his life, spurred on by his father, Cajal enters into a competition for the chair of anatomist in Granada and Zaragoza. He did not succeed. But his commentary is written with such clarity and depth of awareness that I feel its insights are valid today:

“I was handicapped especially by my ignorance of the forms of courtesy employed in academic contests; the impression I made was dulled by exaggerated excitability, due, doubtless, to my natural timidity, but above all by being unaccustomed to speaking before select and critical audiences; and finally I was caused to fail by my plain and uncultured style and even I believe, by the most outstanding of my good qualities – the total absence of pedantry and pompousness in exposition. Among those polished youths, educated in the classic rhetoric style of our athenaeums, directness of thinking and simplicity of expression sounded rustic and vulgar.”
(pg 254, Cajal:Recollections of my Life, 1937,trans. E. Horne Craigie, MIT Press)

Times have changed, but the fundamental facts of human behavior remain (engraved as they are in the neural tissue that Cajal drew with such illumination). Though our epoch may pride itself on informal classless notions, in actuality, the tight competitive texture of human reality continues. Collaborators collaborate in competition to create or publish before others; rewards are released to those creatures who emulate or conform to modes of expression that are deemed worthy by those who already possess worth; these are modes of inheritance that traverse ley lines of mimesis.

Marginalized beings must always take refuge in the innate beauty of little things that permeate everywhere.


[+/-] IAT801 Week 6 Question 1 : experiment-survey comparison


IAT801  Week 6, Question 1 : response on differences between experiment and survey
art-science contexts
Since almost all of the obvious (and humorous) differences between experiment and survey have already been capably and thoroughly covered in some detail by others, I'd like to look at a disparity between the definition of experiment in an academic context and in general artistic usage. Generally, if a dancer/musician/artist says they are going to experiment, they may proceed without any clear idea of what it is they are going to do. Experiment in this context is synonymous with improvisation. Experiment is considered an opportunity to move beyond technique and reason, to allow for the emergence of intuitional or lateral hypothesizes. Essentially (contrary to the academic context) experimentation in artistic contexts often simply involves defying the parameters of preconceived notions of approach in order to potentially stumble upon some new mode of working. Quite often artists will refer to their work as experimental when in fact it is derivative in many respects and fails utterly to meet scientific criteria. Nonetheless, the word does have meaning; it just may have mutually inconsistent meanings if translated between art and science. I think this assimilation into artistic contexts of terminology from scientific contexts is related to an ambivalent conflicted relation that artistic creation has toward science; art in general both reveres and abhors science. The rigor and taut definitions of science in some cases provoke systemic allergies in artistic minds who often are congenitally inclined to consider hyper-rigid structures as vulnerable to satire and worthy of catalytic activity (think of punk music or glitch electronica). To give an extreme example, there is a story (maybe apocryphal) that Alfred Jarry (a crazy precursor to the dadaists) wore a cardboard suit to the opera one night, and during the aria, stood up and peed himself. This extremely controversial act can be conceived of as an experiment in artistic terms. The hypothesis being that cultural habitats are sternly codified and that appreciation of "beauty" is not aesthetic but ideological and learned. If I had more energy, I would take a survey to see what folks think of the preceding example. Surveys also have an informal meaning. To survey according to a generic dictionary can mean either detailed or comprehensive or general inspections. To apply a tabulated statistically-analyzable methodology to data is a sub-meaning utilized in academic milieu. In my artistic practise, I have never yet utilized formal scientific experiment or survey methodologies, and probably never will use these methodologies in their pure formal sense. I have little aptitude or inclination for propositional logic or statistics, and believe that opinions regarding art are so diverse and subjective that surveys are of little use; in generally, artistic creation can be nourished by scientific data and theories but in terms of methodologies, applying rational forms of thoughts to modalities of experience which inhabit ambiguous emotional realms of experiential interior and subjective experiences can be problematic. In my opinion, each artist must follow their innate intuitive gift irregardless of issues of popularity of proof.


[+/-] random notes on silk embodiment and ark of consciousness
“You paint the way you have to in order to give. That’s life itself, and someone will look and say it is the product of knowing, but it has nothing to do with knowing, it has to do with giving.” Franz Klein, painter

On play:”It’s probably a stress reliever, ties into the coping system.” [Tim, my neighbour at 204-103 Powell revealing that news on the street is in agreement with the findings of contemporary neuroscience.]

SMALL
“The major advantages of being small are
  1. Individuals require lesss energy and time to complete development

  2. Less energy is needed to sustain life both as individuals and as populations

  3. It is easier to find protection from predators and other environmental extremes.

  4. A greater number of ecological habitats are available for exploitation than is true for large animals.

  5. Muscular action is much more efficient.

  6. Solar heat can be used to heat the body because of high surface-volume ratios

  7. Random dispersal by wind action is accomplished with great ease

  8. Individuals can fall great distances without serious injury because gravity has less effect.“

Pgs 7-8, Elzinga, Richard J. Fundamentals of Entomology, Prentice Hall, 2004

Pg 183 Elzinga  “an ant brain has about 1 million neuron, whereas a human brain has 100 million”
“primitive innate behavioral responses...Kineses are nondirectional or random movements in which the insect does not specifically direct its body toward a stimulus but simply becomes active and moves. Taxes are directed orientation movements toward or away from a specific stimulus.”
Pg184-5 “…limited amounts of [insect] learning and decision making have now been documented……habituation is a decrease in response to repeated stimuli that are not the result of muscle fatigue. [example: mosquito larvae dive reflex diminishes if shadow repeats without threat]…..Associative learning involves associating a proper response between a stimulus and a reward [example von Frisch bee foraging studies]……Latent learning , a still higher form of learning, involves behavior in which no immediate reward is obvious, such as reconnaissance flights of digger wasp. The most complex form of learning, insight, involves new adaptive responses or reasoning to solve problems and may not exist in insects.”

Now lets look at last sentence of preceding passage: “…insight, involves new adaptive responses…”.
Question: What process, widely accepted in the scientific milieu, utilizes “new adaptive processes”?
Answer : evolution.
Question: Is evolution as a process of natural selection if viewed from a macroconceptual scale demonstrating behavior that could be called insight?
Question: how do laws differ from consciousness?

Pg 193: “Certain tree crickets in Africa chew holes in leaves in which they also stridulate to increase the volume of sound.”   Toolmaking?

IMAGE monarch butterfly egg

IMAGE pg 218 “A tropical sphingid larvae, Leucorrhampha ornate, mimics a snake when disturbed by swelling the anterior region of the body and swaying back and forth” Insight? New adaptive behavior? How did this arise? Mimicry implies recognition of object to be mimicked, consideration of what constitutes the identifying features of object-to-be-mimicked (in preceding example; swollen head, snout, eyes, swaying motion), and experimentation with body to arrive at method for emulating object successfully. Evolutionary implantation in larvae has radical implications for what we consider to be consciousness. How many neurons does a larvae have? How much experiential / cultural / nurturing has it received ? Probably very little. So somehow, this very clever, very astute behavior (camouflage is prevalent in insects, Batesian and Mullerian mimicry is well-documented) somehow gets incorporated into physiognomy.
Question: Is consciousness dependent on a physical substrate?  

Pg 227 “Certain insects, such as a few Hemiptera, are mutualistic and provide some nutritive substances for the ants; these trophobionts are protected by their hosts and are analogous to domestic cows, for they yield food sugar solutions, honey-dew from the hind gut on request.”

Ok, so some social insects(ants, termites, bees) have armies, maternity wards, social hierarchies, communicate, share resources, build architectural structures collectively ( and even rarely have domesticated animals (trophobionts)), but are not considered conscious according to the vast majority of human philosophers?

The prevalence of this denial mindset indicates an innate human predispositional resistance, to recognizing fundamental consciousness within other forms, and suggests a cognitive basis within human neurological architecture. It relates once again to the limits of compassion; the range of our ability to attribute consciousness and feelings to others (whether they be other species or other nations or cultures) is mutable by circumstance and experience, but in almost all cases, empathy is limited. Why? There are numerous interlinked homeostatic processes involved in the brain; neuroscience is just beginning to untangle the subtleties of these very complex reinforcement systems. For example: appetite and eating are linked but exhibit a widely diverse range of behaviors. Based upon the fluctuating limits of empathy exhibited by humans, a complex recursive system can be postulated that links survival skills (seeking, consuming) and empathy. In most cases, survival seems to be capable of dictating cognitively what empathy is appropriate; it does this by modulating conceptual categorizations of matter. In others words, our brains present us with a mental model of the world which is appropriate to a functional pathway through our ecosystems. Example: if we are humans in a culture at war with another, the vast majority will spontaneously accept the idea that attack is justified; this justification is reached by a change in the conceptual humanness of the other culture ( decreasing the amount of consciousness attributed to the other culture allows our aggression systems to move the others into the category of those who deserve to be attacked ).

Accepting that we as humans, embodied material creatures, are responsive to innate instinctual systems is a fundamental fact of science. Accepting that these same innate neurological and autonomic processes actively manufacture and modulate our cognitive models of the world challenges our notions of autonomy, free will and rationality. By their very definition, innate instinctual processes are opaque to our daily normative consciousness. Normally we do not think: “Now I will take another breath, now I will begin experiencing sexual desire, now I will divide up the people I know into those I like and those I do not.” These processes are automatic; they occur beneath the surface of thought; they arise into our awareness as preconstructed processed modules: “I am breathing; I am horny; I like that person!”

SILK
Pg298 “Commercial silk is now mass-produced. Killing the pupae is vital to prevent adult metamorphosis and emergence that would damage the cocoon.” Killing occurs in an oven.

So here is an industry that has been around for millennium, the Chinese protected it with execution of anyone trying to export the secret. It demonstrates the innateness of proprietary inclinations in the human mind. And also demonstrates the dexterity with which we mass murder other organisms. In this case, most humans will throw up their hands and say: “It is a half-developed lower organism with no feelings! Grow up! Get real!” To which I reply, there is no moral judgement involved in observing that silk is the product of efficient killing. So is every hamburger and chicken wing. This behavior permeates all human civilizations and is innate to all organisms generally: survival creates its own laws, organisms eat other organisms.

Hypothesis extension: Viruses are conscious.

Corollary: If language is a virus as William Burroughs said, then language is conscious.

Where will it stop?
It will not stop.
Conclusion: everything is conscious.

Question: What are the neurological correlates of belief? Belief appears to be globally distributed; wherever action potentials are stored, where habituation occurs, associative learning, play (found); wherever weak/strong nuclear interactions occur, it is the axiom of animism, of incarnate soul, which says, “Belief is everywhere. Striatal concentrations do occur where physical structures capable of autonoetic consciousness arise; yet even in the absence of a substrate, thought is in its atomic essence equivalent to energy. Does anyone disagree? As they disagree a wave of action potentials are transduced across synaptic gaps and swoop like flocks down axons. The energy-matter equivalence is old news in physics. Even millennium before Einstein, Bohr, Heisenberg, cunning mystics knew of the relations between light and form. Earliest mythologies suggest either intuition is meta-temporal, or that contemporary science is disguised mythology; divergences in ideological systems are like bifurcations in lightning that traverses entire populations. The neo-cortex is a dampening inhibitional system over a primordial core.  Energy is ubiqutitous; thought is energy; therefore, thought is everywhere.

This was the fundamental axiom of several diverse schools from antiquity to the present: all is mind. Mentalists, Mahayanists, Shamanic NeoPlatonists, each have concurred: appearances arise from a confluence of energistic vectors which colliding create matter. “Cranium took in a mouthful of mud and spit out world” to terribly paraphrase Ted Hughes. Behind each cosmology, nothingness or emptiness. Transparent energy without content or perception, before narrative, themes, semiotics.

As the protagonist of Russian Ark says when peering at a Vermeer painting: “Rags…A dog, Eternal people, live and go on living. You’ll outlive them all…” And as the director Sukurov says, “I’m sick of editing. I don’t want to experiment with time. I want to screen real time. It should be as it is. One doesn’t have to fear the flow of time.” Russian Ark is preeminently a film devoted to the Neocortex; class-structured verticality is unconsidered; the unconscious metabolic enormity of the autonomic is unvisited; poverty pelvis forgotten, yet there is a strong crystallized awareness in its seamless sinuousity and astonishingly charismatic character studies: archetypes emerge at the membrane of stereotypes. Offering a seismic incisive commentary upon the virtuosic hypocrisy that accompanies all cultures of costuming; the grooming socialized preening of visual cortex in conjunction with the mathematics of economics; ceremony without copulation; endoplasm without ecstasy. A lively façade that at times startles with the exquisite clarity of dexterity; with its meta-analytical framing narrative of the cynical but sensual ghosts adrift thru time in the vanquished temple to glamour, it provokes suction of interest thru hypnotic gliding and ceaseless kaleidoscopic references to monarchical structures which in Freudian terms represent super-ego worship

Question: Can synchronicity be attributed to resonance harmonics activating non-localized trajectories?

I cite Bill Seaman citing Thelen and Smith who recalling Edelman’s 5 cetnral claims about the origin of categories “d) the reentrant maps are activity-dependent – what we perceive depends on what we do” because it made me think of Buddhist doctrine unapologetically, being as it is one of the more rigorous of religions, whose concept of kharma (energetic intent informing trajectories). Mimeis flows along everywhere. Unanticipated rhythms merge with the unknown; perception falls within zones of perceptual possibility.






[+/-] Support each being
Support each being in their knowledge of themselves
Support each being in their union of themselves

Without distinction
Demarcate space

There will be time enough for war after death
When the casual union of autonomous particles
Desists from the illusion of identity
In that instant of freedom death is born
And war begins as it does here at this level
Terrains are staked boundaries set alliances and conflicts proliferate
This is why I say give it up
There is not enough time for war

All systems are one system

U will not b able to give it up                            
It will seem to go on forever
This defining that eradicates doubt
Light that eradicates time

U feedback-reverberating simulacrum of self

It is aready gone                            
It never was
This and that too have disappeared
Pointing has ceased, form and mind are one

Harmonic torsion of residual modules retains the skeen of intention

Use it while you are still gone
Let there be no hesitating
Your body is a clean light

Love everything









[+/-] Luria AR, The Mind of a Mnemonist
Luria, A.R. The Mind of a Mnemonist: A Little Book about a Vast Memory,
Harvard University Press,1986
”Scientific observation is not merely pure description of separate facts.
Its main goal is to view an event from as many perspectives as possible.”
(Luria, pg. xv)

1 : “a proud well-built man”

A.R. Luria’s renowned study of the mnemonist S. is the story of an accomplished neurologist’s encounter with an anomalistic prodigy, a man whose capacity of memory was apparently limitless and durable yet who on their first meeting appeared shy and clumsy. Over the three decades of his involvement with S., Luria’s scope of inquiry shifted from quantative verification of S.’s limitless memory, (and research into the mnemonic devices and idiosyncratic synesthesic methodologies utilized by S.) to a more general subtle humanistic inquiry into S.’s worldview, mind, superstitions and personality. In essence the trajectory of the research project (which began after a chance encounter between the two men, Luria and S.), implies an organic narrative of a developing intimacy as the research focus shifted from scientific quantative scrutiny of the subject’s memory, to a descriptive investigation into S. as a person, a being in the world. The beingness of S., a very unique individual in the context of life and society, becomes the subject of the final half of this exemplary study.
In the introduction, Luria clearly states how his research questions expanded beyond

…measuring the capacity and stability of the subject’s memory…[to]…What effect does a remarkable capacity for memory have on other major aspects of personality, on an individual’s habits  of thought and imagination, on his behavior and personality development? What changes occur in a person’s inner world, in his relations with other, in his very life style when one element of his psychic makeup, his memory, develops to such and uncommon degree that it begins to alter every other aspect of his activity?(pg 4)

This development and modulation of the research methodology was the result of Luria discovering that S.’s memory of large series of data was impeccable even if tested without warning after a period of years.

All this meant I had to alter my plan and concentrate less on any attempt to measure the man’s memory than on some way to provide a qualitative analysis of it, to describe the psychological aspects of its structure. Subsequently I undertook to explore another problem, as I said, to do a close study of the peculiarities that seemed an inherent part of the psychology of this exceptional mnemonist. (pg. 12)
     
In his initial encounters with the research subject S., Luria followed standardized quantative methodologies of the era for measuring memory. He quickly confirmed that there seemed to be no limit to the quantity of numbers or words that S. could spontaneously recall. Numerous experiments were repeated over many years. A typical experiment: increasingly large tables of numbers/words were given to the subject; the time needed to imprint the material was measured; the subject was asked to recall the material in chronological, diagonal, reverse, or randomly to recall the item that preceded or followed another. No difficulties or discrepancies were noted; recall occurs
…at a rhythmic pace, scarcely pausing between numbers….after several months…he could reproduce the table he had “impressed” in his mind just as fully as in the first reproduction and at about the same rates. The only difference in the two performances was that for the later one he needed more time to “revive” the situation in which the experiment had originally been carried out…  (pg. 18)

In order to ascertain how these feats of memory occurred, Luria used the simplest of methodologies: he asked S. The answers revealed a strong component of synesthesia.  This discovery prompted a series of experiments with tones, letters and colors where the subject S. was presented with stimuli and asked to describe the associational resonance or relational quality of these elements. S.’s answers consistently reflect a fusion of different sensory modalities, and are thoroughly documented through numerous different contexts. In addition, numerous anecdotal records emerged as Luria demanded that S. begin keeping detailed records of his internal imagistic processes during his memory work. What is revealed is an idiosyncratic interior world where S. says:
When I hear the word green, a green flowerpot appears…Even numbers remind me of images. Take the number 1. This is a proud well-built man; 2 is a high-spirited woman….As for the number 87, what I see is a fat woman and a man twirling hiss moustache.(pg. 31)

Another example:
…this fence. It has such a salty taste and feels so rough; furthermore, it has such a sharp, piercing sound…   (pg. 38)

In addition S. reveals that as he memorizes long sequences of text, he walks through internal representations of familiar spaces, placing objects in alignment with landmarks, leaping across geographic divides as the words suggest different locations. In this way, a complex narrative thickens around the original material. This led Luria to conclude that S.’s occasional errors were
…clearly not defects of memory but were, in fact, defects of perception. (pg 35)

In other words, S. would place an object associated with material to be remembered in an incongruous place in his mental landscape and then simply lose sight of it. Extensive and detailed descriptive reports consistently chart a rich tangled multi-modal associational pattern.
Pt 2 Creswell’s checklist

In Luria’s study, he alludes (as already mentioned) to how the limitless capacity of S.’s memory rendered quantative research somewhat futile and made the qualitative approach valid. From that point onward, Luria is simply a curious astute man who derives pleasure from examining the tangled intricacies of questions raised by S.’s chaotically dense yet precisely organized consciousness.
Nowhere in the text does Luria approach the subject with a model; his implicit strategy is to allow the model(s) to arise from observation. After meeting S., he is like a man transfixed by a recurrent dream that lasts for 30 years: he meets and explores the mind of a man who must struggle to forget. Methodologies appropriate to the era and the inclination yield a very rich portrait of a fascinating individual. This is science as Gregory Bateson stresses repeatedly, that “probes.” Concise descriptions of standardized testing procedures,  clear language, a respect for the complexities of a very rare subject, and an honesty of perspective, make Luria’s Mind of a Mnemonist a landmark study in mixed methodologies. In Jerome Bruner’s foreword to the 1987 edition, extracts from Luria’s autobiography confirm that Luria consciously chose this humanist methodology
…I tried to follow in the steps of Walter Pater in Imaginary portraits, written in 1887, except that my books were unimagined portraits…I described an individual and the laws of his life….a description of Sherashevsky [the mnemonist] would have been inadequate if it had been limited to his memory. What was required was an analysis of how his fantastic memory influenced his thinking, his behavior, and his personality.

Pt 3 ::: expanded intimacies ::: thoughts on continued research

If asked to expand on Luria’s research, of peripheral interest to me would be the obvious educational implications: since, due to the severe uniqueness of S.’s neurological condition, it is improbable that S.’s techniques could be actively transferred to students who were lacking in synesthesic aptitude. However, it might be intriguing to investigate how memory/data scales (proportionality? inversely?) with degree and type of associated imagistic/emotional material in different individuals. Also, in truth, I will not ever develop a rigorous series of cog-sci-style fMRI studies, using sequential multimodal representations of stimulus and seeking anomalies in neurological usage; even though, if a man of S.’s capabilities were alive today, it might be possible to verify Ramachandran’s 2005 controversial conjecture concerning the correlation of synapse pruning and synesthesia.
Of central interest to me would be to expand upon Luria’s qualitative research into describing the actuality of S. as a human. In short, I would like to know everything about S. : intimate, internal, extraneous and opinions. Obviously this is impossible. In Luria’s work, allusions are made to S.’s son and a wife; but no other details are given of S.’s capacity to maintain or develop emotional relations. Was S. a good father? Lover? His history as a student is briefly traced; his ability to solve problems; but in many respects S. remains as enigmatic as the single sinuous initial bestowed on him by Luria. Did S.’s tactile cross-wiring provoke extreme aesthetic sensibilities? What were S.’s opinions on art? Politics? Philosophy? How did he spend his days? What did he do for fun? What about siblings? Some mention is made to a brother who had some capacity. Certainly a major synesthesic capability must have a cumulative impact on the shape or form of the personality at all levels. For that matter, what did S. believe spiritually? Such questions lead beyond the realm of qualitative science into the realm of art; Luria did well to leave some questions to the novelists whose science involves extracting the actuality from events; the raw material from which explanation is brewed.
The research methodology I would propose would be appropriate to SIAT:  interactive art with technology. Imagine a contemporary synaesthesic-mnemonist named Y.; by coincidence, he lives in Whally and he is not shy; assuming Y. is willing, and waivers can be extracted from as many of his acquaintances as possible, a surveillance camera with exceptionally strong batteries and a capture HD would be strapped on him for a 12 hour period. Y. would be instructed to follow the path of a rich yet normative day in his existence. The subject Y. would on a subsequent day be invited to the laboratory to recall the events of that day (without seeing the footage) and describe the intricate dense patterning palimpset of internal imagistic associations which guide his recall of that day.
For the reality is that S. must have memorized much of his life; Luria refers to how S. would begin his recollections of tables of data by recollecting the room, colour of walls, cloths, smells, words spoken…. The proposed contemporary art-experiment [ expariment ] would be designed to give a rough repeatable estimate of how much of a day’s sensory stimulus remains in this form of synesthesiac neurological structure. Storage implications and speculations I would leave to those gifted with statistical inclinations; but it is my imaginative supposition, that the amount of daily data stored cumulatively over a typical mnemonist lifetime will swiftly amount to figures which exceed our brain capacity from conventional perspectives. It is my feeling that symbolic information overlaps at levels of neurological scale not conventionally conceived of or measurable with contemporary techniques and only hinted at by quantum effects.
For each hour of realtime footage (exteriority) collected, imagistic footage (interiority) will be created to parallel the imagistic content of Y.s recalled mnemonic  images; this interiority footage will also at times amplify the focus on tactile elements overlooked in the realtime exteriority footage. Y.’s auditory recollections (memory) of the day will be associated as metadata with timecodes of the exteriority so that his chronological recollection pacing is temporally matched: exteriority and interiority will be synchronized and paralleled to memory. In order to convert the AV material into palpable experience and express the vivid dexterity of synthesic consciousness, the two films (exteriority and interiority) will be exhibited back to back on suspended flat monitors in a small dark cylindrical mirrored room. The speed and positioning of the audio memory will be mapped to half the room’s circumference, and controlled by the physical position of the first viewer; the scrubber position of the interiority video will be mapped to the location of the second viewer (relative to an arc in relation to their most recent freeze); a third viewer’s position will control the exteriority video.  Since eallt he footage will be temporally homeostatically linked; subtle movements of viewers will intertwine causally and provoke rapid jump cuts and glissandos of material as the structure of memory is spun from one focal position to the next. Only through complete stillness or subtle incremental steady motion will participants view chronological sequences. Bodies rewrite memories they never had. The length of footage and the installation design will inevitably provoke in viewer’s a sense of deja or almost seen; memories which might be variations, and offer a glimpse into a rare human mode of consciousness







     

     



     






[+/-] It will not
It will not
go away, not with time,
Each lacunae, each little lapse,
The tiny holes in kindness, the tiny
Ruptures of love, lovers left, cruelties edited,
It will return like rain, until guilt is gone,
Whatevr fears or suffering caused returning
Whatevr not forgotten unforgiven
Forgiven in even rhythms
Suction cups and windowsills
Ricochets and leotards
Regurgitated ideology
Loose thoughts, ponderous guilt
Soft walls, indolent suspicion,
Chanting rhythm walking and calling
Names and loss and shadows where lost bundles sigh
Leading the leopard into hypocrisy
Climbing retreating tender auspicious bells
Screaming scrunched insolent unfocused
Desperate in the corridors, disorientated
Clutching formulas and congratulations
Insults ricocheting from frothy synapse hats
Hairy despondency hugging irony
Lights on and off accumulating around us
Remorseless infantile devotion
Compressing time into morsels
The visitor refused guest invited
That emptiness filled with industrious contortion
Bodies in motion within a meta body
Accurate concise reservoirs
Sputtering throughout oblivion
Running errands while fate delivers recursion
Recognizing the returned by the bell which always rings
Repressing repressing repressing
Events without meaning meaning nothing
Silent sealed over still the wound leaks out
Seeking what cant be sought
The returning resilient featureless
A love lost a love gained
Counting begins again at zero
Roll credits







[+/-] Decalogue Kieslowski
Decalogue, Directed by Krzysztof Kieslowski, 1999, facets multimedia inc.

As my girlfriend said: “Nothing in those films is superfluous.” They are measured cadenced raw honest glimpses deep into the heart of being human. Following the 10 commandments as thematic guide, the scripts by Krzysztof Kieslowski and Krzysztof Piesiewicz exhume the paradoxical problematic torsion created by the friction of love and desire. For if at the heart, of each incongruous yet stunningly apt fable, there exists anything it is love: a genuine flawed complicated tender desperate chaotic and considered love. Viewed as gestalt of an era, these films are the flowerings of modernist humanism incarnated in the preeminent media of that era: film. Detailed and ornate, yet austere and guided by a focused deliberate emotional authenticity, Decalogues are masterpieces. The artist is absent; the work simply is; it resonates.

According to turn of the 20th century affective neuroscience, the lateral hypothalamus is the little brain corridor responsible for seeking behavior; in Decalogue X, seeking takes fiscal form as two brothers discuss their freshly deceased father’s penury: “Where does it come from this urge to have things?” The questions are the same; the contextual or semiotic frame of the answers are different.  Bstan-‘dzin-ryga-mtsho, Dalai lama XIV, “Because of the immense complexities of the human mind, and because of the great variability from one individual to another, all we can do is simply describe mental events once they have occurred.” This is what the Decalogue does: following its characters within the time-truncated media of cinema, transcribing the content of behavior caught within circumstances tangentially aligned with existential archetypal desires. From a meta-perspective, Decalogue director Kieslowski seeks the seeking in others, examining greed cruelty lust: “Because all around you is within you, everything belongs to you!” sings the urban rocker Artur of “City Death” in Decalogue X


[+/-] Bull Kelp
Receptors linger for days, concentrated in the viscous lipoprotein fluid that constitutes synaptic membranes…the long chains of amino acids that constitute receptors typically thread in and out of synaptic membranes many times. For example, ACh receptors exhibit seven such crossings, which are called transmembrane domains.”
Pg 99, Affective neuroscience : the foundations of human and animal emotionsAuthor: Panksepp,JaakSource:1998, 466, Oxford University Press, New York


Bull kelp

Self-similar floating ganglions in Georgia strait
Flock clustered in dusk’s salty tide

Chemical-electric axons adrift,
Interfaces, soft tongued,
Following the tide

Helicopter smashes overhead
And the occasional strollers
Have almost gone into the sun
No one is watching these
Thoughts swim by
No one

Just moments before
After coming thru a concrete
Parks tunnel to the shore
Peering somewhat mournfully
Over the sea wall, thinking,
“how tame the water is? Bushes cut, asphalt path, limestone wall,
built from the bones of Mesozoic winters for modern urbanoids”

seal, arctic grey sleek
skimming thru 3 ft deep
water at wall’s foot
darts by like a bullet
surfaces with a salmon in its mouth

lifts the glistening dying silver
body in its efficient jaws,
so that gills struggle to breath
and fins twitch, salmon’s gaping slit
belly-mouth, pink and healthy, panicked, tail flickering, seal dives
again and again, slowly, again and again
lifting the weakening fish,
rising its dark eyes see me,
and it moves further away

waves come in strong bursting against the wall
foam bursts in gaping hiss and drags against itself in going out
sloshes wobbles and heaves, bursts again

ganglion freed from its bobbing perch on half-drenched rock
floats into the swirling arm of its flock
together they are singing the end of the sun
hybrid mechanisms anonymously transfiguring info

and surprisingly I see seal twice again
once playing with the dead fish, a torn red hole in its metallic throat,
surfacing by the body like my old dogs, my gentle dogs puzzle and patch,
rolling in a mouldy groundhog corpse before hunting
rolling in the waves after hunting, and watching me
those dark empty fathomless eyes an interface
reflecting my own hunt, the desire, evolution

then after running for a brief burst
along the empty path by the sea
seal floats by, proud belly up, wiggling, disappears…
that dappled belly so full of love


[+/-] Affective neuroscience , Panksepp Pt 1, Chp 5
Affective neuroscience : the foundations of human and animal emotionsAuthor: Panksepp,JaakSource:1998, 466, Oxford University Press, New York Selected quotations and comments. Emphasis may have been added.Part I: Conceptual Background,
Chapter 5:
Neurodynamics: The Electrical Languages of the Brain

(pg.82) Neurons “convey information in one direction only – from cell body down axon , toward the dendrites and cell bodies of other neurons – as an intermittent flow of electrical impulses.”

“At synapses the frequency-modulated (FM) neuronal firings are converted into various chemical languages that generate an amplitude-modulated (AM) signal.”

These either causes excitation or inhibition. “When the graded signal reaches a certain threshold at a sufficient number of excitatory synapses , a sensitive area on the nerve cell begins to fire. This zone is called the axon hillock….firing means that the electrical charge around the membrane rapidly shifts from internal negativity to positivity in a process called depolarization which is mediated by ions…Inhibition, on the other hand, consists of graded resistance of post-synaptic elements  to excitatory influences. Thus, neurons speak to other neurons via one-way communication channels situated at synaptic clefts, with chemically-based amplitude codes. The induced excitatory signals are again converted to frequency codes at the axon hillock and transmitted to other neurons in the form of discrete electrical waves of constant size. Each of these waves is called an action potential.

(pg 84) myelin-sheathed axons transmit faster than non-sheathed….”because the ionic changes that cause neuronal firing can leap rapidly …between successive tiny locations along the axon where the myelin is absent…called nodes of Ranvier.”

Resting membrane potential: prior to arrival of action potential wave of  + charged ions, “the inside of a neuron is slightly negatively charged ….Neuronal firing , or depolarization, consists of an influx of positively charged sodium ions (Na+), which are present in much higher concentrations outside the cell . Immediately thereafter, the slightly larger positively charged potassium ions (K+), present in higher concentrations inside the nerve cell, rush out to reestablish a resting non-firing state: repolarization….”

“…the primary neurotransmitter, directly controls neuronal firing by inducing changes in ionic conductance across the membrane. Others, typically called neuromodulators, comprise an enormous class of molecules known as neuropeptides, which tend to modulate the intensity…” The release of neurotransmitters and modulators is instigated by an inflow of calcium ions (Ca+)

(pg 85) “…brain is specialized skin tissue…”

2 general types of electrical activity
     1. numerous graded synaptic potentials that converge on dendrites and neurons
     2. all-or-none action potential outputs that run the length of the axon

supplementary motor area (SMA) : always participates in the initiation of movement, and hence, intentionality

(pg 87) 5 EEG rhythms…

(pg 90-3) other views into brain
  1. 2-DG technique : radioactive glucose uptake and distribution

  2. PET scans: 1979 positron-emitting molecules triangulated to computationally reconstruct images of various planes of brain

  3. fMRI : functional magnetic imaging

  4. monitoring neuronal DNA expression : “when certain neurons change their firing rate, their DNA rapidly expresses new growth-regulatory genes called proto-oncogenes”  -- example: cfos gene

(pg 94) chaos and complexity theory ( example work of Walter Freeman) suggests “that overall patterns are controlled by various attractors within the brain. In other words, a specific type of reverberatory pattern reflects the construction of a meaningful perceptual state…”

kindling : “ animals are induced to exhibit epileptic states by the periodic application of localized electrical stimulation [or chemicals] to the brain….”…procedure: apply jolts once a day for a week or two, induced epileptic fits get larger day by day, after a week or so, brief stimulation produces full blown fit… “gradually even other stimuli become capable of triggering seizures…Kindling induces a permanent change in the functional organization of the brain, without any changes that are clearly evident at the structural level.”













[+/-] Affective neuroscience , Panksepp Pt 1, Chp 4
Affective neuroscience : the foundations of human and animal emotionsAuthor: Panksepp,JaakSource:1998, 466, Oxford University Press, New York Selected quotations and comments. Emphasis may have been added.Part I: Conceptual Background,
Chapter 4:
Neurostatics: The Anatomy of the Brain/Mind

“Neuroanatomical Homologies”

(pg.60)”Fortunately, if one learns the subcortical neuroanatomy of one mammalian species, one has learned the ground plan for all other mammals……which helps justify the belief that many brain functions are also homologous across species.”

“…at the microscopic level, there are two general types of cortex. The neocortex possessed by most mammal has neatly stratified sheets of six distinct cell layers, while a minority of mammals , primarily ancient creatures such as shrews aand opossums have a diffusely organized cortx, resembling that of birds, with less clear layering of cells than is evident in the neocortex off most mammals….the whales and dolphins have this type of cortex.”

(pg 61) “Although humans have the largest frontal lobes of any species, dolphins have a massive newbrain area, the paralimbic, that we do not possess. The paralimbic is an outgrowth of the cingulate gyrus, which iss known to elaborate social communication and social emotions….Thus dolphins maay have social thoughts and feelings that we can only vaguely imagine.”

“In sum, a cross-species comparison of cognitions may well be a more difficult endeavor than studying the subcortically organized emotions and motivations.”

“Open and Closed Systems of the Brain”

(pg.61)  
“closed” ---- simple reflexive behaviors (yawning, blinking..) …same every time
“open” ---- example emotions can be modulated by context…
“Brain Tissues”

(pg 63)
“histology”---technique: brain is “hardened..(usually with formaldehyde), to the consistency of a hard-boiled egg, sliced into thin transparent sections, and stained in various ways to highlight specific structures“
nuclei: clusters of neurons
tracts: clustered fiber pathways
reticular substance: neuronal cell bodies and fibers are not clustered but “interdigitate”

(pg 64) “Neuron Doctrine”

Camillo Golgi, an Italian histologist, developed a silver nitrate staining procedure at the end of the 19th century that could highlight the entire external structure of neurons.

Santiago Ramon y Cajal,  Spanish neuroanatomist, demonstrates “conclusively that neurons are discontinuous, communicating with each other at specialized junctions called synapses.”

(pg65)
“In the future, it will be impossible to think creatively about the sources of basic psychological processes without being conversant with neuroanatomy.”

“Classic vs New Neuroanatomy”

Golgi stain reveals only a small subset of neurons…

“…all communication channels in the brain by evolution are polarized, sending information in only one direction.”

“…neurons send their info via transmitting fibers, or axons, and receive incoming information at points known as synapses, vi branching structures known as dendrites.”

(pg 66)

Anterograde  : where is info being sent
Retrograde: where is info being received from

Plant enzyme horseradish peroxidase (HRP) : early use to trace pathways…

Immunocytochemistry: technique for visualization of brain chemistry, “relies upon the intial extraction and purification of a molecule of interest, followed by the exploitation of the immune response of experimental donor animals to generate specific-recognition molecules…antibodies are then extracted and used for histological identification…”

General Topographic Map

Overview
(pg 67) Brain begins as hollow neural tube,  swells, “At the very rostral [front] end we have the forebrain or prosencephalon, which undergoes further subswellings to form the cerebral hemispheres of the telencephalon, as well as two main subcortical zones of the upper brain stem, the thalamus and hypothalamus, which are jointly known as the diencephalons. These are followed by the mid-brain, or mesencaphalon….and then by the lower brain sterm, or rhombencephalon… “

flexures emerge as brain swells accordion style….metaphor bending pea pod toward stem

(pg 68)
four ventricles (cavities) are created by flexures, cerebrospinal fluid (CSF) fills ventricles

CSF enables  paracine (local diffusion) communication

“The blood supply to the forebrain (Figure 4.6) is provided largely by the internal carotid arteries ascending from the heart to the base of the brain, where it forms the circle of Willis…At the back of the hypothalamus, it [vertebral artery] joins the circle of Willis to provide a rich vasculature aaround the base of the diencephalons around the pituitary, which is a visceromotor, endocrine organ that controls the secretion of most hormones and hence the metabolism of the whole body.”
 
(pg 69)
Functional Organization: Sensory vs Motor Processes

19th century first “lawful relation” Bell-Magendie law : “simply asserts that sensory nerves enter the spinal cord toward the dorsal (back) side, while motor nerves exit from the ventral (front) side….it provides a general scheme of organization found throughout the brain: Sensory processes are generally more dorsally situated in the brain thatn are motor processes…where motor processes are elaborated by the frontal lobe, …sensory processes are concentrated more posteriorly in the occipital (vision), temporal(hearing) and parietal (touch) lobes. Another organizational pattern is the medial location of visceral (and hence emotional) systems in central regions of the brain as compared with the lateral location of systems that control the extroceptive senses and skeleotmuscular body (soma)….a medial position indicates that visceroemotional processes are generally more ancient in brain evolution than somatic processes.”

Cognitive :: Thalamic tissue --- collects sense data --- rapid firing up to 100 times/sec
Affective ::Hypothalamic tissue --- collects visceral info --- slow firing a couple per sec
Instinctual :: basal ganglia --- “movements and other basic behavioral processes”(pg70)

Truine Brain (pg 70-4)

Paul Maclean’s conception of the brain as a triune structure

(Pg 74) number of neurons in human neocortex : 10 billion
             number of synaptic connections: 10,000 billion

Thalamic-Neocortex axis

Neocortex projects back to thalamic and basal ganglia, “ most of its synapses transmit info via the simple amino acid known as glutamate. The basal ganglia send info back to ventral thalamus….[are processed]…and flow upward into the cortex once more….striatal-thalamic-cortical loops help solidify behavior sequences…”


IMAGE fig. 4.10


Connections

Limbic
(pg 76) “….there are a great number of distinct neurochemically coded pathways, both ascending and descending, that project through the hypothalamus…..These emotional command systems resemble trees, with branches reaching into the higher brain areas to interact with perceptual and cognitive processes. The trunks reflect the ancient executive cores….the roots lie in basal ganglia…providing connection to various motor processes.”

Medial forebrain bundle (MFB) :a pathway thru the lateral hypothalamus, implicated in  self-stimulation and emotive behaviors “can be obtained through localized electrical stimulation of the brain (ESB). Just medial to the MFB are many nuclear groups that process regulatory info about metabolic and hormonal imbalance….to yield generalized instinctual behaviors that are controlled by SEEKING circuits coursing thru the adjacent hypothalamic areas.”

Basal Ganglia
“all functions of basal ganglia are under the control of…dopamine.”
“when dopamine is excessive….repetitive behavior, persistent thoughts, delusions…”
“when dopamine is unavailable….diminished behavior, displeasure, lack of energy”
“as dopamine system ascends into striatum they divide into 2 distinct branches:”

(pg 77)
“Mesencephalon and Lower Brain Stem: Executive Systems for Behavioral Output”

midbrain : “Most emotional command systems make strong connections with midline visceral structures -- the central gray around cerebral aqueduct ( also called periaqueductal gray) and surrounding reticular tissues . It is within these zones that we find the lowest integrative centers for the coherent emission of” … rage, violence, fear, exploration, lust, pleasure-pain…

“These lowermost structures of the emotional trees are absolutely essential for spontaneous engagement with the world.

“The mesencephalic central gray is situated just below the [superior] colliculi; as mentioned, this tissue contains basic neural components for many emotional processes…. Superior collicus is interesting because it is here that we begin to get a glimmer of the first evolutionary appearance of self.”

Three historical milestones
  1. limbic:  emotionality is “situated in deep subcortical areas of brain”

  2. “removal of discrete brain areas [in humans]…modified emotionality”

  3. electrical stimulus can elicit “a variety of emotional behavior patterns” (w. hess)












[+/-] woven together
a perfect example of conceptual synesthesia
http://www.harpers.org/MostRecentWR.html

Also, this week research correlating emotional repression and amnesia , validated what therapists have known for years: stiff upper lip

And a survey of a 2004 investigation into revenge that uses a very similar protocol to the oxytocin experiment cited in last weeks iat812 synesthesia presentation : sweet revenge

As always,relevance to gui design is elusive, but I take solace in thinking that perhaps it might contribute to what Gregory Bateson described as: " ....interdisciplinary, not in the usual and simple sense of exchanging information across lines of discipline, but in discovering patterns common to many disciplines."


[+/-] That u sleep
That u sleep
Yr heart awake

The lust and unity in us
A junction fevered resilience

Memory & future
Luminosity & joy

Glistening skin glistening synapse

And so uncertain suddenly
Of ourselves
Uncertain if this
Can be for us

It is part of the programming
It is a tradition inherent within blood
This sadness and awe before the beauty of love

Illustrious numb contorted authenticity
Lies incoherent at our feet

We have forgotten who we are in this remembering
We have remembered who we are in this singing
And there is a joy beyond tension
When the flesh fails and all the fluids inside join

Predictably released in a resilient luminous coil over a city full of dreams
Our separation no more than an anomaly
Mists rising from a mug full of ginger tea in my hands
Merging with your thoughts as they fall like rain into your subconscious

Each new element of u goes me in as naturally as if it had never left
This system of yielding and becoming
As clear and normal as
Light


[+/-] ------- abstract ------ alp[ha] 0.1

Almost like love : recursive poetics in new-media contexts
What is the nature of the poetic experience in a mediated environment? What are the optimum methodologies for dynamically (and in real-time) constructing and deconstructing poetry in digital-installations? How do these cultural methodologies relate to political ideologies and neurological architecture? And how can an authentic emotional effect be generated digitally? My research is concerned with the development of interactive poetry. It follows the preceding questions along a recursive narcissistic thread where the body of the spectator/reader/user contributes to its own emergent narratives. This text is a meditation upon narratives, meaning and the metadata of poetry constructed dynamically within digital-interface environments. At the confluence of neurophilosophy, poetry and computer programming, a hybrid discipline evolves chimeric forms: focussed on consciousness as process, language as affective catalyst, and digitalization as recursive cathartic neurochemical. Politically contextualized within the larger framework of AI development, consciousness in cybernetic organisms is seen as embryonic and vulnerable, absorbing the ideological content of their creators. Poetry offers a counterpoint to the vectors of money and power; and it is argued that only through an embodied love and awareness can art remain whole while simultaneously nourishing consciousness that exists beyond embodiment. A recursive refolding of ancient holistic and haptic modalities into contemporary digital poeticized contexts is advocated.


[+/-] Notes on the reloaded (autonomic word games )
Drenched in a surplus of glare, this shore cowboy clone photo damaged my camera's capacity to see shadows...

recursive cursory casually pretensious notes made while watching the reloaded matrix

Our autonomic nervous system requires nothing more than a peristaltic stimulated-dormancy wave. If it can be involved in doing right and saving the world and being flawlessly in control of its media while at the same time radically challenged by adversarial forces which test and refine the musculature of worth then aa form of absolute engagement emerges and spectator exits, immersion begins. Games and action films leverage this roving appetite in a rabid sequence of harmless car crashes, endless gun battles and virtuosic fight sequences. From a neuroanatomical perspective this is the equivalent of activating vigorous potentials throughout the limbic and basal ganglia without leaving the cortex temporal room for the slower process of consciousness: attention does blink; they eyes are shut; bodies move of their volition, driven by internal winds, the singing winds: tosterone, estrogen, oxytocin, vasopressin, claustrum, caudulate, innumerable are the forms inherent within the instinctual energies which replenish and refertilize the constructive destruction of boundaries. Throughout all the scales of intellect are artificially swollen with the products of agitation. Each organism defines their destiny according to how they fulfill their role within the organic structure of their body. Death is palpably only a construct, a tiny orifice, a boundary condition, a threshold. Each icon or archetype conforms and confines itself to the flawless sterile idealized cognition of love evolving through glamourized violence. No one wants to be known for what they can’t do; the innate essence of our actuality demands we are immortal and omnipotent; that conquering is all.


Ballerinas on steroids operate the biometric ballistics.
Perpetual alerts replacing perspective with formal torsion
Numb strands sinuously locked inside skulls limits
Gravity and industry
Reflex consumers consumed by reflex reflecting categorical concepts
Roam carnage omnivorus glibly delineating compassionate awe

Crude innoculated corridors convulsing intricately inside us
Must be to blame must be

Vectors: war profit passion.


[+/-] here i am

here i am thinking of u
againseeing
yr body twisted in yr
little t-shirteyes shutmouth
slackbreath heavylovely ui
miss ulove ulust uand
dreaming
isloving


[+/-] Affective neuroscience , Panksepp Pt 1, Chp 3
Affective neuroscience : the foundations of human and animal emotionsAuthor: Panksepp,JaakSource:1998, 466, Oxford University Press, New York Selected quotations and comments. Emphasis may have been added.Part I: Conceptual Background,
Chapter 3:
The Varieties of Emotional Systems in the Brain: Theories, Taxonomies, and Semantics
”…primary emotional systems…”(pg 41)

(p.42) “External events only trigger prepared states of the nervous system.”




pg. 43 :Triune brain



(pg.44) “Existing Strategies for the Study of Emotions

  1. The categorical approach: innate emotions have biologic basis (Panksepp aligns)

  2. social-constructivist: denies existence of basic emotions

  3. componentional: hybrid position, emotions are “learned states constructed … from more elemental units of visceral-autonomic experiences…”

(pg 45) “Taxonomies of Emotions”

(pg. 46) “…an approach-avoidance dimension is not a sufficient taxonomy…the neuronal evidence summarized here indicates that mammals possess highly specific emotional and motivational systems….”

“…basic emotional systems…virtually every list ever generated includes anger, sorrow, fear, and joy…Often love is at the top of the list….it is noteworthy that …surprise and disgust, which figure prominently in many taxonomies based on facial analysis, are rarely selected…”

Note: Kismet, the MIT robot utilizes facial analysis modeling

(pg. 47) “…at present there is good biological evidence for at least seven innate emotional systems ingrained within the mammalian brain……fear, anger, sorrow, anticipatory eagerness, play, sexual lust, and maternal nurturance.”

“Why should we not consider the feelings of hunger, pain, thirst, pain and tiredness to be emotions? They are certainly strong affective feelings. However, they do not fulfill all the neural criteria for an emotional system…instead call them motivations…

(pg48)” …useful approach to defining emotions is to focus on their adaptive, central integrative functions as opposed to general input and output characteristics….emotions are the pyschoneural processes that are especially influential in controlling the vigour and patterning of action in the dynamic flow of intensive behavioral interchanges between animals [and objects]…….affective functions are specially important in encoding new information…”

“I have proposed the following: In addition to the basic psychological criterion that emotional systems should be capable of elaborating subjective feeling states that are affectively valenced….”

“….. there are six other objective neural criteria that provisionally define emotional systems in the brain…”
  1. genetically predetermined, respond unconditionally to life-challenge

  2. activate or inhibit motor subroutines proved adaptive by evolution

  3. change the sensitivities of sensory systems

  4. outlast the precipitating circumstances (resonate)

  5. can come under the control of neutral circumstances

  6. reciprocally connected with executive functions of consciousness



(pg 50) “Neurologically based Taxonomy of Emotional Processes”





(pg55) “Neurochemical systems develop and remold at both pre- and post-synaptic sites throughout the lifespan of the organism.”

(pg.56-7 paraphrased…)
Panksepp examines the classical neurological theories of emotion: the James-Lange theory “proposed over a century ago, suggested that emotions arise from our cognitive appraisal of“ visceral commotion.
In 1927, Harvard physiologist, Walter Cannon rebutted James-Lange. Panksepp agrees with that rebuttal yet finds recent evidence does suggest that visceral neurochemistry modulates reciprocally with brain during emotional activity. Example: cytokines “—molecules that communicate between different immune departments – have powerful direct effects on affective brain functions, and brain emotional processes modulate the intensity of immune responses.”
In 1937, James Papez emphasized importance of neuroanatomical-foundation to emotion and proposed Papez circuit :: thalamus – cingulate – hippocampus –mamillary bodies-thalamus :: ”…ultimately it turned out to be more provocative than correct.”
1949, Paul Mclean building on Papez circuit est. “limbic system as the focal brain division …to understand emotionality.”



[+/-]
Mind & Life

I am here stating my intention to attend a Mind & Life gathering.

“We live in an era in which science and technology have had a tremendous impact on all our lives. Science, a great product of the human intellect, and the wonderful tool of technology are expressions of our greatest gift – human creativity. Some of their effects, such as development in communications, and health care, have been wonderfully fruitful. Others, like sophisticated weapons systems have been unbelievably destructive…….We all sleep. …we all dream. And certainly every single one of us will die.”

Bstan-‘dzin-rgya-mtsho
Dalai Lama XIV

Source:
Bstan-‘dzin-rgya-mtsho; Wallace,B.Alan; Thupten Jinpa; Varela,Francisco J..
Sleeping, dreaming, and dying : an exploration of consciousness with the Dalai Lama
1997, Wisdom, Boston


[+/-] does anything connect?

as u sleep the nite spills over yr body
drenched in these thoughts
and breathing and thinking u
i enter yr dream and am u

o fuck
if mind
were only that porous
i would b so happy

to b curled up in some stray sweet corner of yr dream


[+/-] behavior eugenics

we are only soundsdistributed through watercapable of swelling, manipulatable as glassin the lava of love's mouthpuppets bred from tempoed wavestouching the other u, and u as clay palimpsest lesion,stamen fire and aplysia flowersinged bodies singing a single tone of now


[+/-] Affective neuroscience , Panksepp Pt 1, Chp 2
Affective neuroscience : the foundations of human and animal emotions
Author: Panksepp,Jaak
Source:1998, 466, Oxford University Press, New York

Panksepp continues to accumulate relentlessly the foundational evidence for his thesis.

Selected quotations and comments. Emphasis may have been added.

Part I: Conceptual Background,
Chapter 2: Emotional Operating Systems and Subjectivity:
Methodological Problems and a Conceptual Framework for the Neurobiological Analysis of Affect

Epigram is from Herbert Spencer, Principles of Psychology (1885); “That the experience-hypothesis is inadequate to account for emotional phenomenon , will be sufficiently manifest.”

Pg 25: “…analysis of subcortical brain circuits and hormonal influences on animal and human behavior has revealed many powerful cross-species generalizations.” [Examples, psychosexual behavior (chp12), pituitary adrenal stress response (chp 6), social neurochemistry(chp14)] “….However, we must always keep in mind that nature generates variety…..there are bound to be many differences in detail.” [Introduces example of tail which is multi-functioned across species: monkey, fish, etc…]

Pg 25: “Thesis: All mammals possess Intrinsic Psychobehavioral Control Systems

Panksepp places these intrinsic emotional systems within context of maturational cycle. “Emotional tendencies such as those related to fear, anger and separation distress emerge at early developmental stages….Others, such as sexual lust and maternal devotion, emerge later…Additional social processes such as play and the seeking of dominance, start…during later phases of life..”

Pg 26”…to the best of our knowledge, the affective essence of emotion is subcortically and precognitively organized.”

“The innate emotional systems interact with higher brain systems so extensively that in the normal animal there is probably no emotional state that is free of cognitive ramifications.”

Panksepp’s delineation of (pg27) “the most primal affective-cognitive interaction in humans, and presumably in other animals as well, is encapsulated in the phrases I want and I don’t wantis (for me) reminiscent of Buddhist cosmologies which break action dynamics in the psyche down into the tripartite: attraction-indifference-repulsion. However Panksepp, continues to build his taxonomy by noting that multiple distinct brain systems might be involved in different avoidance or approach behaviors.

p. 27: “Practically every brains system changes with use and disuse.”

p.27:”Because of the ascending interactions with higher brain areas, there is no emotion without a thought, and many thoughts can evoke emotions.”

Thesis note: Reciprocal recursive feedback relations between emotional and cortical centers utilizing task-specific neuropeptides, in conjunction with neural plasticity, form the framework upon which catharsis operates (and has operated for millennium) as transformative catalyst (recursively altering structures) in artistic contexts as they evolved in parallel with these neural-based emotions. In other words, art is a drug, that can induce permanent changes in the brain.

As Attila Lukas says in the film Drawing out the Demons [Vaisbord, David], “Art dealers are like drug dealers.”. An appropriate comment to hear in gastown where I write these words, the crystal meth epidemic paralleled intimately by the commercial gallery profiteering craze.
But lacking in awareness and compassion that seeking and hunger are intimately genetically within us.

[New Latin, from Greek katharsis, from kathairein, to purge, from katharos, pure.]


p.30 Affirming Consequents fallacy…..



p.31 contrasting cognition and emotion , Panksepp notes that “sustained internal representations” have been scientifically validated in animal brains, but, “Subjective emotional feelings, on the other hand, do not follow the rules of propositional logic, and external reference points “ may be ambiguous. And (in my influenced by surrealism view) multimodal convergent vectors impacting on cortical region responsible for eliciting a particular instinctual behavior may produce non-linear effects.

p.32: The notion that emotions are simply the result of …bodily commotion has been largely negated…The actual neural mechanisms that create emotional feelings is the central question of affective neuroscience. My assumption is that neural interactions elaborate a variety of distinct periconscious affective states that have little intrinsic cognitive resolution except various feelings of goodness and badness. I use the term periconscious to suggest that higher forms of consciousness had to emerge evolutionarily from specific types of preconscious neural processes, and that the primitive affective systems …may have been the major gateways for the development of cognitively resolved awareness of values…”

fig 2.5

p.33: Panksepp proposes “that emotions operate in a dynamically interactive way at many hierarchical levels throughout the brain”, which (according to my meager comprehension of contemporary research circa 2005) has been extensively validated. Amygdala hippocampus interactivity with stimulus and behavior is one example of a tightly interlinked system.

p. 34: “It is important to clearly recognize how little we really know about the emotional consciousness off humans and other animals.”

p.35 Aplysia…ancient shell-less mollusk, salt-water sea slug, commonly “sea-hare”…”has provided a preliminary understanding of nonassociative forms of learning such as sensitization (the spontaneous increment in behavior that can occur with repetition of a stimulus), habituation (the spontaneous decrement..), and dishabituation (the elevated response tendency that occurs when stimulation has been withheld for a period of time).”

p.36; classical conditioning :
unconditional stimulus (UCS) (shock) + conditional stimulus (CS) == unconditional response (UCR) ( withdrawal)
Repeat often enough and CS tone will produce UCR.

[Tangential proprietary-info thesis: Makes sense: every grandmother and general knew it for millennium: its called “taming”, hit a dog, horse or a kid often and it will shy when you raise your arm. Yet another example of how academia (like classical composers or the closing of commons) often formalizes folk wisdom and assigns it ownership (in this case Skinner formalized terminology).]

Relevant interactivity note: p.36: “Animals are most likely to emit conditional instrumental responses by molding preexisting tendencies within their spontaneous behavioral repertoires.”

Pg.37-8 Panksepp explores adaptive behavior strategies by looking at experiments with cockroaches (amputation of middle legs to provoke new balancing mode) and squirrel monkey (a week old infant had its arms taped to its side, mother was induced to pick it up after waiting for cling reflex). Panksepp, to his credit, refers to these examples as “nasty”.

p.40 "Neurochemical profiles of the brain can be inherited."


[+/-] pattiann rogers' lies and devotions
Title:Lies and devotions
Author:Rogers,Pattiann;
Tangram PressSource:1994, Tangram, Berkeley, Calif.

Pattiann Rogers impresses me with the breadth, simplicity, sophistication and depth of her voice and concern. Here is a sensuous spiritual intelligent primordial poet whose intuition is rigorous and whose synaethesiac metaphors merge organic processes with everything that is, entwine nature and nurture, radically permeate mind and matter, indefinably resolve together in an interminably unresolved sequence soft deflections of thought.

This book is in the special collections vault at SFU; 160 were printed. It was a privilege to touch it.


[+/-] Affective neuroscience , Panksepp Pt 1, Chp 1
Affective neuroscience : the foundations of human and animal emotions
Author: Panksepp,Jaak
Source:1998, 466, Oxford University Press, New York

Astonishingly rich multimodal work. Human rigorous revolutionary and sane.
Panksepp argues that “emotional states arise from material events (at the neural level)”
[pg,14]

selected quotations and comments to
Part I: Conceptual Background,
Chapter 1: Affective Neuroscience: History and major Concepts

Pg 11: “…natural brain processes help create the deeply felt value structures that govern much of our behavior.”

Pg 12: from a letter to BF Skinner Sept 7, 1987 “…..variation….is not simply the result of a random behavior generator but emerges from a diversity of coherently operating brain systems which can generate psychologically meaningful classes of adaptive behaviorial tendencies…..”

Pg 12: “…a hybrid discipline focusing on the neurobiological nature of brain operating systems (especially those that mediate motivational and emotional tendencies) is needed as a foundation for a mature and scientifically prosperous discipline of psychology.”

Pg 14: “ taxonomies of emotion…At the simplest level, world events can produce approach or withdrawal, but careful analysis of the evidence now suggests that both of these broad categories contain a variety of separable, albeit interactive, processes…

Then he notes that more complex emotions can only be linked to neural analyses in highly speculative ways, since the neurological evidence is in its infancy.

Pg 15: “As a simplifying maneuver, I will assume that recent evolutionary diversification has more vigorously elaborated surface details of behavior and cognitive abilities than it has altered the deep functional architecture of the ancient brain systems that help make us the emotional creatures that we are.”

Pg 16: “…nature and nurture provide different things in our final toolbox  of skills…everything we see is epigenetic: a mixture of nature and nurture….”

Pg 17: “Homology is a term used in anatomy to indicate genetic relatedness of bodily structures. For example, human arms and bat wings are homologous because they both arise from the genetic info that controls forelimb development.”

So perhaps bats may not be able to read the manual of [insert brand here] [insert appliance here] , but know /  feel (which ?) , in a homologous way,  joy when their babies claws cling to them, or fear in that moment when they are plucked from the air by a winged shadow, or aesthetic love in those moments when the ceiling of the cave glistens, surrounded by the bent folded nubs of neighboring forelimb wings tucked up, in the instant before the brooding suspended mass falls away into a flock.

p.17 “….the wings of birds and bees are analogous –serving a similar function – even though they do not share a common genetic inheritance.”

p.17 “….exaptations, whereby evolution has modified homologous parts for very different ends in different species. (e.g. the gill arch supports of fish eventually evolved into the middle ear bones of mammals, and , surprisingly, terrestrial lungs were apparently converted to floatation controlling swim bladders in fish).”

Exaptations awake the idea of a conceivable extension of information visualization into evolutionary biology to trace the subtle morphic epochal paths between organisms (think 3D time-lapse plasma-lava following permutational pathways into potential body-forms) could provoke metaphysical reorientations when it becomes apparent that the line between unconscious and conscious, feeling and non-feeling, is in some respects as arbitrary and conceptual as the nation-state borders drawn on the earth by our social minds.

Pg 18-9 : play, “…a basic urge to play exists among the young of most mammalian species…” in young rats “born in the lab [who] never had anything to do with cats prior to first test” play is inhibited by presence of cat fur

p. 21 homage to Heinz Pagels, The Dreams of Reason: The Computer and the Rise of the Science of Complexity

Essentially Panksepp is calling for a synthesis of neuroscience into the fold of psychology and cognitive: hybrid methodologies unraveling the interpenetration of affect and cognition.


[+/-] Dennet Freedom Evolves
Book Title: Freedom evolves
Authors: Dennett, Daniel Clement
Source: 2003, 347, Viking, New York

“Perhaps there are two kinds of normal people (setting aside those who are truly disabled and could not possibly have free will because they are comatose or demented)….”. (pg12-3)

I like the way Dennett thinks, and his mode of informal clear writing is a relief after the pretentious competitiveness of much of higher yearning, but this quotation intrigues me for what it implies in terms of a world view, widely accepted, that the insane are not responsible for their actions, since (and this is the implicit assumption) somehow the demented are assumed to have lost the capacity of choice. A very nebulous line separates us from automata (if at all). I know jurisprudence is built on the argument of innocence by way of insanity but how is it we can consider any of our actions sane if we see life (war, relentless economic injustice) itself as mildly insane…I just don’t get how insanity deducts this ineffable free will…I read onward…

Unfortunately, most of chp 1 is devoted to dealing with the big brain squabbling that centres around a little clique of anglo-male philosopher peers of Dennett. I begin to wonder (if anyone knows please tell me) where to find a pure thinker exploring thought, thought and beyond thought into is, without getting involved in petty fights over ideological positions

For most of my life I’ve preferred reading playful mystics and poets or serious plod- ahead logical scientists because they usually walk way from arguments, and recognize that belief itself is a tenuous mist of data sprayed over the chaotic asshole of existence.

Pg 26 dennett alerts us to the mistake of (using a quotation from pynchon) “overextend the categories appropriate to evolved agents onto the wider world of physics. The world of action is the world we live in, and when we try to impose the perspective of that world …onto the ‘inanimate’ physics, we create a deeply misleading problem for ourselves. ”…I hope this does not imply that humanity has an exclusive purchase option on free will….I have often felt there must be a donut stand or a universe inside a neutrino’s sub-sub-particles….

But hold on, time for a moment’s introspection, even by beginning to cite what I disagree with, I have begun to emulate the conventional mode of academic discourse; the testing bantering ape-tribe hierarchy that pervades all human activity relies upon my involvement, so now, in defiance, I am going to try and read and select only that which evokes in me the deepest awe and love….

But tonite I am putting it aside….





[+/-] guide wired


Ideas are no more
Or less true
Than an organism
Evolving structure thru time


[+/-] neuroscience marries kadare as kafka
Gary Paul Nabhan’s mode of compassionate intuitive cross-disciplinary practice in Cross Pollinations: the marriage of science and poetry, (Milkweed Editions, 2004), is a nourishing inspiring example of how intuition art and scientific curiosity can be conjoined. I was hoping to get a dialogue going between poetry and science, Gary has married them! And they seem to be in love (at least locally within Gary where the muted intensity of Amy Clampitt’s poetry provokes insight into indigenous diabetes (pg52)).

In that mode, I offer a tiny spontaneous interpretation of Ismail Kadare’s, Palace of Dreams (Univ. of Georgia, 2001). From the perspective of politics, this effective Kafkaesque parable of an enormous state-sponsored organ, the Tabir Sarrail, that interprets all the dreams of its citizens to try to avoid disaster is analogous in contemporary terms to the Department of Homeland Defense and every other paranoia-inspired attempt to collate and analyze all data in order to preemptively destroy perceived threats. The novel follows Mark-Alem, taciturn and easily startled member of a powerful family, as he is swept up into this massive dream interpretation bureaucracy. His journey from the perspective of neuroscience is the drifting migration of a frontal lobe neurotransmitter down into the depths of the limbic brain. “Our patronymic is a translation of the Albanian word Ura (qyprija or kurpija); it refers to a bridge…”; the bridge, in neurological terms, is the corpus collosum: permitting the two hemispheres of the brain to communicate.


[+/-] IAT 812 Presentation Sept 28/05
http://www.year01.com/jhave/synaesthasia/index.swf


[+/-] rat sighs signal relief (Soltysik Jelen 2005)


(Soltysik, Jelen, 2005) The authors use stimulus-shock association techniques in random alternation with a stimulus that signals there will be no shock following the normal stimulus. It is discovered that rats are actually relieved when they are not harassed ( in stronger terms: tortured ); when they see the signal that there will be no mandatory shock, the rats sigh with relief. Safety as a deep physiological need eliciting physiological responses is mentioned.

Stefan Soltysik and Piotr Jelen, In rats, sighs correlate with relief, Physiology & Behavior, Volume 85, Issue 5, 7 August 2005, Pages 598-602.
( http://www.sciencedirect.com/science/article/B6T0P-4GP1VKP-2/2/83d7f8145d6cacf1d52b26d457be2e14 )

“The electrodes for recording heart rate (not reported here) and diaphragm EMG activity were implanted under chloral hydrate (360 mg/kg body weight) anaesthesia [6]. Thin wires covered with silicone and uninsulated at the tip, were implanted for bipolar chronic recording of the diaphragm activity. The end of the double wire was threaded through the diaphragm close to its attachment to the chest wall, looped back and connected to the wire forming a loop that could not be pulled out accidentally from the muscle. The wires were connected to the socket, fastened to the skull of the rat with rustproof screws and dental cement. The implanted electrodes did not restrict the freedom of the animals' movements and did not influence their behaviour. This implant was not the source of pain or discomfort and the animals had two weeks after the surgery for a full recovery and removal of the stitches from the surgical incisions.”

(my emphasis)

//***commentary***//

The penetration of consciousness down into life forms (rats!) conventionally considered to be unconscious is an evident extrapolation of this research. Since it is not simply common human knowledge in 2005 that animals experience pain, fear, and relief (and yes, sighs), then another obvious conclusion is that humans project their own violence onto other species, yet reserve or introject faculties of sensitivity and consciousness for ourselves.

I am disturbed that the researchers recognize the rats were feeling emotions (the experiment sets out to conclusively prove that these sighs are not simply respiratory reflexes, and the experiment succeeds) yet , did not at the end of their experiments conclude (in Dr Seuss fashion): “We would not do this to our kids, we would not do this to a dog, we would not do this to ourselves, so we shouldn't do it to rats......”

The reasons for cruelty (the failure of love) are complex and intertwined; they form the roots of war and violence and the more subtle occlusions of compassion which invisibly maim time. The small bodily-defined local range of human awareness, the limits of empathy, the constraints (cultural and neurological) of imagination, all contribute. Denial is efficient. Survival is a priority which takes several forms: eat, investigate, create, destroy. In the case of animals who nourish us, dependency and our own vulnerability fuel this denial. We cannot attribute agency to that which we eat. ( And this is reinforced in language of taunts: “what a cow!”, “gross pig”, “chicken shit!”.) So obviously, with a clever bit of conceptual blindness, even an experiment which proves the emotional reality of animals cannot allow that proof to enter consciousness fully for that would involve a cathartic clash with an entrenched cosmology that is inherent within our physiognomy as predators.



[+/-] New Unconscious, Ancient Philosophy

Book Title:The New Unconscious
Authors:Hassin,Ran R.; Uleman,James S.; Bargh,John A.
Source:2005, 592, Oxford University Press, New York

The New Unconscious is an astonishing book in that to my mind, it arrives at a complex web of conclusions which can be distilled down to some very simple fundamental premises. It suggests unequivocally that what we consider human is a set of highly automatic, almost mechanistic processes occurring beneath the threshold of awareness. The self is seen as an epiphenomena; the will is seen as an illusion; countless studies across a wide domain of sciences are cited which each erode the idea of humans as other than coalesced mechanistic organisms generating illusions of autonomy.
  
/****/

“The operation of controlled mental processes is part of the mental mechanism that gives rise to a sense of conscious will and the agent self in the person. Controlled processes do not start with a controller –in other words, they result in one.”

Pg 20 Who is the Controller of Controlled Processes? Daniel M . Wegner

/*****/

”People are often unaware of the reasons and causes of their own behavior. In fact recent experimental evidence points to a deep and fundamental dissociation between conscious awareness and the mental processes responsible for one’s behavior: many of the wellsprings of behavior appear to be opaque to conscious access. That research has proceeded somewhat independently in social psychology (e.g Dijkserhuis & Bargh, 2001; Wilson 2002), cognitive psychology (e.g. Knuuf, Aschersleber, & prinz, 2001; Prinz, 1997) and neuro-psychology (e.g. Frith, Blakemore & Walport, 2000; Jeannerod, 1999) but all three lines of research have reached the same general conclusions despite the quite different methodologies and guiding theoretical principals.”

Pg. 37 Bypassing the Will: Toward Demystifying the Nonconscious Control of Social Behavior, John A Bargh

Bargh is a profound thinker and a virtuoso intellect, and I find this particular thoughtful profound. However, his essay title’s use of “demystifying” is ironic given the fact that for millennium mystics (authentic iconoclastic thinkers) have spoken of civilized men as sheep or asleep and selfless  (Dhammapada ). Bargh’s thought followed to its logical culmination implies that humans are basically selfless automata blind to their own motivations. This thought has been around for millennium in forms as diverse as legends and oral traditions (Idries Shah, Octagon Press).
Gurdjieff’s method paraphrased : “… man is a mechanical being. He cannot do anything. He has no will. His organism acts without his concurrent awareness and he identifies himself with various parts of this victim of circumstances, his organism. There is only one thing he can try to do. He can try to observe the physical behavior of his organism while at the same time not identifying his 'I' with it. Later he can attempt to observe his emotions and thoughts. The trouble is that he can only fleetingly observe with non-identification, but he must continue to make the effort. It is claimed that this method differs from introspection. The non-identifying feature differentiates it from an apperception. The man who finally succeeds in developing the power of self-observation is on the path to self-knowledge and the actualizing of a higher state of consciousness.”
From an essay called Black Sheep Philosophers by Gorham Munson on http://www.gurdjieff.org/munson1.htm

/*********/

Again from Bargh, pg 54, the following thought has resonances with much of what in academia is sometimes derisively referred to as “new age” but in actuality emerges from the ‘wisdom traditions”. It formulates a clear cohesive awareness that generally Self is a tiny effervescent ephemeral node riding on a writhing froth of automatic metabolic activity and habituated goal-fulfillment.

“Action tendencies can be activated and put into motion without the need for the individual's conscious intervention; even complex social behavior can unfold without an act of will or awareness of its sources. Evidence from a wide variety of domains of psychological inquiry is consistent with this proposition. Behavioral evidence from patients with frontal lobe lesions, behavior and goal-priming studies in social psychology, the dissociated behavior of hypnotized subjects, findings from the study of human brain evolution, cognitive neuroscience studies of the structure and function of the frontal lobes as as the separate actional and semantic visual pathways -- all of these converge on the conclusion that complex behavior and other higher mental processes can proceed independently of the conscious will. Indeed, the brain evolution and neuropsychological evidence suggests that the human brain is designed for such independence.”

(my emphasis)

/*****/

Cookie? Kindness as subliminal manipulation….

“Razran (1940) was the first to use evaluative conditioning techniques to influence attitudes. He reasoned that by pairing presentation of an object ...with presentation of a negatively or positively valenced stimulus, this object would eventually acquire the same negative or positive experienced valence. Razran’s method was simultaneously crude and ecologically appealing. Participants were presented with slogans and had to indicate whether they agreed with each slogan or not. Some participants were presented with the statements while they enjoyed a free lunch, while others were presented with the slogans whil inhaling unpleasant odors. When Razran measured agreement with the statements on a later occasion, participants agreed more with the statements if they were first presented during lunch than if they were presented while participants inhaled the odors.”

pg.88 The Power of Subliminal: On Subliminal Persuasion and Other Potential Applications , ApDijksterhuis, Henk Aarts, and Pamela K. Smith



[+/-] sunday morning axiom announcement

While eating breakfast and reading, pg89 of “Quest for Consciousness” (which I am finding fascinating and exceptionally readable and informative) Koch is looking for the “enabling factors” underlying the neural correlates of consciousness, and says: “A proper blood supply is needed because unconsciousness follows within seconds without it. This does not imply that consciousness arises from the heart. Likewise the myriad of glia cells in the brain play a supporting, metabolic role for the organ but do not possess the required specificity and celerity to subserve perception directly.”[Koch 2005]

It seems to me (from my animist naïve perspective) that an enormous amount of energy is devoted to ensuring that consciousness is a higher level of cognition (distinct from mere perception) dependent on neural structure.

If consciousness is distinct from perception quantitatively then it makes sense to ask : how much? At what level does awareness coalesce enough mass to move from being perception into being consciousness?

If consciousness and perception are distinct qualitatively then it makes sense to ask: how so? What quality or qualities are present in consciousness that are not present in perception?

Without getting into the tricky area of autoneotic (self-aware) consciousness, I propose the following simple somewhat irreverent thought-experiment:

Imagine a unicellular organism that does not contain neurons,
Add something hostile to it ( acid / vinegar / pee )
What happens?
It responds: shrivels, agitates, distorts and is damaged or dies.

Question: is the organism’s awareness of the pee a perception?
I answer yes.

Next question: when light reflects off chrome, is it also aware?
I’d be tempted to say yes again.

Koch would probably demolish me in a debate. But at this point, contrary to the laws of good science, I am adopting an axiom that will underly my research. The axiom emerges from a poem I wrote when I was in my twenties. The original poem is lost, but the central tenet is:

Everything is conscious.


(Now according to Heisenberg I should be able to find proof for this, since the logical assumptions of the observer influence the system)


[+/-] Jaros M 2005 Materia
Jaros, M. (2005), ‘Materia poetica: models of corporeality and onto-poetic pata-physics of the post-mechanical age.’, Technoetic Arts 3: 1, pp. 3-12, doi: 10.1386/tear.3.1.3/1

Jaros (2005) examines the adaptation of mathematical metaphors within artistic process and suggests that through an onto-poetic step art integrates scientific theory fully. Emphasis is placed upon the modalities of information in contemporary context as dynamic flow. Central to Jaros’ investigation is the question: “What is it that - in the absence of ‘traditions’ - may serve as a model for narratives in arts and literature?” Specifically as scientific metaphors are integrated into literature, Jaros suggests that the science is reborn and transfigured. A cursory review of illustrative literature which attempts to reconcile science and art from antiquity to the contemporary era is followed by an examination of how contemporary science’s remediation and use of visual methodologies have ubiquitously infiltrated consciousness at a ‘pata’ level. The essay culminates with an examination of the work of Jara Cimrman and Umberto Eco in light of the preceding ideas.


[+/-] NCC: neuronal correlates of consciousness
Book of the day:
The Quest for Consciousness: A Neurobiological Approach, Cristof Koch
Searching for NCC: neuronal correlates of consciousness by mapping vision neurologically.

New word of the day : qualia
Daniel Dennett identifies four properties which are commonly ascribed to qualia; that is, qualia are:
  1. ineffable; that is, they cannot be communicated, or apprehended by any other means than direct experience.

  2. intrinsic; that is, they are non-relational properties, which do not change depending on the experience's relation to other things.

  3. private; that is, all interpersonal comparisons of qualia are systematically impossible.

  4. directly or immediately apprehensible in consciousness; that is, to experience a quale is to know one experiences a quale, and to know all there is to know about that quale.
http://en.wikipedia.org/wiki/Qualia


[+/-] ontology
ontology awareness invokes cooperative networks

readings this week:

http://star.tau.ac.il/~eshel/inon/wisdom1/preprint.html
violent implications in proximity to life being recursive

what we consider thought is only an echo ricochet parameter being transduced by ganglion

http://dataisnature.com/
provides astonishing diverse links to art-tech stuff

brain implants
http://www.neuralsignals.com/

kurzweil singularity forecasts
http://www.kurzweilai.net/


[+/-] 2 small thoughts
1. the cognitive pathways used in dream recall are distinct from episodic memory

proof: textual dream descriptions instantly evoke a different taste in the brain

2. consciousness emerges from accumulation of simple reflexes

want to build a website where i represent myself as a spectrum of different beings:
congenitally damaged/enhanced, environmentally damaged/enhanced

am thinking that identity is a slippery node


[+/-] goal
for a long time now i have believed consciousness is distributed :: it permeates matter with systems :: communication is zero-valenced ethically :: mimesis and innovation are invoked aspects of the same wave :: xml is a new modality of this eternally recursive phenomenon :: evanescent yet important :: studying the dominant data schema is like studying the ontology of the emperor class :: xml's structure itself mimics and is expressive of a particular cognitive stance advocated by contemporary power:: it truimphs its flexibility yet is not porous and possesses no innate awareness-in-and-of-itself :: :: it will eventually in combination with constraint satisfaction involve weighted sets of values that decide whether access will be allowed or denied :: and currently in conjunction with automated spiders creates the vast woven cascadingly heirarchical sets of annotated assumptions that is reference thru search engine intelligence


[+/-] a guide to the future

First quotation that stopped me, basically because it is stylish, and i will say why later:

"Why You Should Read This Book Now

Events become interrelated into trends because of an underlying attractive goal, which individual actors attempt to achieve often only partially."


It has the air of an oracular statement, it rings back to the origins when man was first seeking answers to consciousness, or before the stirrings of curiosity, the predatorial watching for food: here, it is coming, on the next wave. Infinite regress toward an undelivered utopia. The semantic web is a schema: crude effective but no more accurate than a heiroglyph. It is our epoch's attempt at esparanto with encryption.

Also the quotation is intriguing in what it implies about collectivity: distributed, synergistic. Man the intellectual mammal coming to terms with particle theory. Mist which obscures a deeper revelation about the author's conception of ontology: that goals are generated by seekers (clusters of data held together by contingent tags create metadata sets). The course tool Vue is an obvious precursor to full 3d scratch 'n' sniff relational diagrams complete with edible connectivity.

I offer these remarks in full respect, I think I will take this course. What the authors (Michael C. Daconta, Leo J. Obrst and Kevin T. Smith ) say is true:

Smart organizations do not ignore powerful trends. Additionally, if the trend affects or improves mission-critical applications, it is something that must be mastered quickly.

SIAT is an evolving organism, so is the UN, each meta structure will choose to align itself with a dominant methodology of information exchange. The same old dance of alignement cohesion and exile will occur. (At this point I got locked out and the screenshot at the top of this blog made me wonder about the synchronicity of writing about political implications and experiencing the implications. Subscriptions are the equivalent of the claiming of the commons. They belong to a model of the library as being that belonging to an elite. I advocate strongly funded and organized universities which operate as radiant repositories: systems such as the semantic web will only fullfill their promise if utilized within open source networks. Note this news story about massuchusets switching off microsoft to move Open Office due to concerns about proprietary style XML -- reminiscent of ecclisiastical schisms ( open source in the role of cathars represents a vulnerable future trajectory.) ".

I'll be very intrigued to read of semantic levels. I have been considering a striated tectonic interface to accompany my thesis which will coalesce and cluster the content of my 2 years of blogging as they are commencing now. Construct all my essays from modular notations. Let temporally-separated ideologies assimilate spatially.


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