Docly, the Web 2.0 online word processor with copyright protection, automatically assigns copyrights

Labels: , ,


"They decide to meet up, but in an attempt to keep their interaction interesting, they make a pact to not speak to one another. As their romance develops, they only write, draw, email, text, have sex, instant message, and make videos for each other. No talking."

Labels: , ,

"I believe there is simply ourselves, and where we are has a particularity which we'd better use because that's about all we've got...there is no other culture. There is simply the literal essence and exactitude of your own. I mean, the streets you live on, or the clothes you wear, or the colour of you hair....Truth lies solely in what you do with it....

Put an end to nation, put an end to culture, put an end to divisions of all sorts."

Charles Olson, July 20th, 1965, Berkeley (Causal Mythology, p.36)

Labels: , ,

Granary Books
“observing progressive scholarship and supporting adventurous book making in the context of exploring the relationships between seeing and reading, reading and seeking.”

Labels: , , ,

"The physical fact of language --uttered, inscribed, marked, or frozen in front of our faces in the cold light of bitter days -- reminds us that there is no communication without the phatic exchange of substances.

A prophylactic attitude attempts to protect the imagination from direct encounters with the world as the tongue, the hand, the arm, the fist around the pen, the fingers on the keyboard all reach into the heavy flesh of matter and are rewarded by the sensate experience."

Johanna Drucker in 'Figuring the Word' ( 1998, Granary ) p.55

Labels: , ,

"Maybe I will be the last person on Earth to get an e-mail account, but that won't be a bad thing. "
Evelyn Lau

Labels: , ,

As I was coming home tonight, at 319 Main St, Vancouver, a window was being projected on from inside and it was playing excerpts from:
the 1995 PBS series United States of Poetry
What is this place on main st? I like it but the doors were locked.

Labels: , , ,

Sheldon Brown

The Scalable City is a set of projects that explore the externalization of algorithmic approaches to urbanization which intersect with geographic, political, economic and aesthetic zones of conflict.

Labels: , ,


"This paper examines competing visions for the future of the book in the digital environment, with particular attention to questions about the social implications of controls over intellectual property, such as continuity of cultural memory"
Clifford Lynch, First Monday, volume 6, number 6 (June 2001)

Labels: ,

Bob Stein, new media pioneer, creater of TK3, interviewed in Halo by "This Spartan Life" about future of the book as a networked, media rich, mutating, 3D navigatable space.

Bob Stein: "The much more significant issue about the book of the future is that they will be networked, and won't be frozen; they'll change over time, quite rapidly...[and re: Muriel Cooper's work on navigable 3D space]...To be able to walk around in a book this way will be brilliant."

Labels: , , ,

"I weep over my imperfect pages, but if future generations read them, they will be more touched by my weeping than by any perfection I might have achieved, since perfection would have kept me from weeping and, therefore, from writing. The saint weeps, and is human. God is silent. That is why we can love the saint but not God."
Pessoa, F. (1991). The Book of Disquiet. New York: Pantheon Books.

Labels: , ,

"Between sleeping and waking
in concrete made flesh
an early ear hears light approach
an early throat groans"

Charles Ducal, a Belgian pig farmer poet
on Poetry International Web

Labels: , , , ,

Afew concrete poetry sites with pdfs, etc....

SPIDERTANGLE


GAMM :::


Word for Word

Labels: , , ,

"A death of someone is actually nothing more than what the death causes to leave behind, to bring into view.* Emmett Williams—one of the more famous of the concrete poets, a Fluxist, and simply an otherstream artist of our time—died in Berlin this Wednesday [Feb 14,2007], on Valentine’s Day...."

Geof Huth, dbqp: visualizing poetics

Labels: , ,

Micahel Denhoff : Textbilder

"Text becomes picture."

Labels: , ,

HarS :

"...ookoi at arti...The kibibyte is a collection of one thousand and twenty four seven second extracts"

Labels: , , , ,

Subversion

"What makes the Subversion repository special is that it remembers every change ever written to it: every change to every file, and even changes to the directory tree itself, such as the addition, deletion, and rearrangement of files and directories."

Labels: , , , ,

Flaxus

"Flaxus is also a collaborative tool that promotes network tasking by allowing the real time creation of a piece amongst various executors connected through the internet."

Labels: , , ,


"The brain needs no central-control mechanism to direct mental life; interactions within and among networks do the trick."

Labels: ,

Rokeby 2001 -- Machine for Taking Time

"Every day since March 28, 2001, the system has been taking still images from 1079 pre-determined positions along a sweeping path around the garden."

Labels: , , ,

Lincoln Schwartz 2007 -- backward
"This work remembers. It creates layers of the history of the space, recombining disparate topics from consumer housewares to medical technology back into one study of a specific location."

Labels: , ,

Paradise Engineering

" The metabolic pathways of pain and malaise evolved because they served the fitness of our genes in the ancestral environment. They will be replaced by a different sort of neural architecture - a motivational system based on heritable gradients of bliss."

Labels: , , ,

HAVIDOL®

HAVIDOL®: "Havidol should be taken indefinitely."
PV 3D demo

Labels: , ,

Shusaku Arakawa: "People, particularly old people, shouldn't relax and sit back to help them decline. They should be in an environment that stimulates their senses..."

Labels: ,

Time-lapse movies of oligodendrocyte progenitor migration « Neurophilosophy

Time-lapse movies of oligodendrocyte progenitor migration « Neurophilosophy
"Oligodendrocytes are glial cells which form the myelin sheaths around axons in the central nervous system. These cells have a small number of cytoplasmic processes - the name oligodendrocyte comes from the Greek roots oligo, meaning ‘few’, dendro meaning ‘branch’, and kytos which denotes ‘cell’ -...."

Labels: , ,

Lionel Kearns

"...With its numberless points of intersection, its uneven intervals, its variation and variety, this life spins beyond my grasp. All I can do is use what I have at hand, language and its peripherals, the technologies of consciousness, to lay down a few reflective strips that catch the flicker of these moments as they flash into being and are gone."

Labels: , ,

"...disruption of the right, but not the left, dorsolateral prefrontal cortex (DLPFC) by low-frequency repetitive transcranial magnetic stimulation substantially reduces subjects' willingness to reject their partners' intentionally unfair offers, which suggests that subjects are less able to resist the economic temptation to accept these offers. Importantly, however, subjects still judge such offers as very unfair..."

Disrupting the Right Prefrontal Cortex
Daria Knoch et al
published online 4 October 2006
[DOI: 10.1126/science.1129156]

Labels: , ,

POSTLANGUAGE POETRY:
"...literature is too multi-faceted, rambunctious, and iconoclastic to fit the limits of any definition... Literary theory does continue to be a central part of the practice of many postlanguage poets, yet they tend to undertake it with an ambivalent and often wearied eye....Thus, while narrative, lyric, spirituality, and a poetics of the everyday appear often as elements that language poets think should be rejected, postlanguage poets such as Juliana Spahr, Susan Smith Nash, Jefferson Hansen, Liz Willis, Peter Gizzi, Chris Stroffolino, Jennifer Moxley, Joe Ross, Lisa Jarnot, myself and many others have been consciously using one or several of these elements in their work, without returning to the sort of naive justifications of those elements that continue to be a feature of more mainstream American poetry."

Labels: , , ,